Albert Ayler's short but definitive album Bells covers about 20 minutes of music from his . As Albert Ayler recorded several definitive recordings before or after this one, and due to the very short length of Bells, it cannot be considered a magnum opus.

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Spontaneous Music Ensemble (SME) was the brainchild of drummer John Stevens and over the course of its almost 30 year history he was its one constant. Founded in 1965 with saxophonist Trevor Watts, it was one of the very first free jazz improvisatory groups to appear in England.

Spontaneous Music Ensemble. Profile: British free improvisation group, formed in the mid-1960s by John Stevens (2) and Trevor Watts.

The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians convened beginning in the mid-1960s by the late South London-based jazz drummer/trumpeter John Stevens and alto and soprano saxophonist Trevor Watts. SME performances and recordings could range from Stevens-Watts duos to gatherings of more than a dozen players. 1 & 2 (1971, Nessa Records). Albert Ayler (1971, Affinity) (featuring John Stevens, Trevor Watts, Ron Herman, Julie Tippetts). Face to Face (1973, Emanem Records) (featuring John Stevens and Trevor Watts). Quintessence (1973–74, Emanem Records) (featuring John Stevens, Trevor Watts, Evan Parker, Derek Bailey, Kent Carter). This article needs additional citations for verification. The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians convened beginning in the mid-1960s by the late South London-based jazz drummer/trumpeter John Stevens and alto and soprano saxophonist Trevor Watts. The transitional point is the quartet album Biosystem (Incus, 1977), which also featured cellist Colin Wood. Countless other musicians passed through the SME over the years, including Derek Bailey, Paul Rutherford, Maggie Nichols, Dave Holland, Barry Guy, Peter Kowald and Kent Carter.

SPONTANEOUS MUSIC ENSEMBLE is a avant-garde jazz music artist. Spontaneous Music Ensemble So What Do You Think? UK vinyl LP album record. Albert Ayler Avant-Garde Jazz 1982. Eighty-five Minutes Part 1 Avant-Garde Jazz 1986.

Increasingly, the Spontaneous Music Ensemble recordings released on Emanem (which now number ten CDs, not including Spontaneous Music Orchestra releases) resemble the pieces of a large and intricate jigsaw puzzle. The recordings span some twenty-eight years, at least twenty-five recording occasions ("sessions not being the appropriate word) and numerous line-ups-John Stevens being the only ever-present participant. Julie Tippetts was a member of SME for much of 1971, recording the out-of-print Birds of a Feather and . Albert Ayler with this line-up. Quartet Sequence is a stunning track, characterized by interplay between all four players.

Quintessence is a live album by the Spontaneous Music Ensemble featuring ist John Stevens saxophonists Trevor Watts and Evan Parker, guitarist Derek Bailey, and bassist Kent Carter which was recorded in 1973 and released on the Emanem label. The album was first released in two parts on separate LPs entitles Eighty Five Minutes in 1986 then with additional material as two separate CDs entitled Quintessence in 1997 and finally as a single 2-CD set in 2007.

Monday, February 27, 2017. Spontaneous Music Ensemble - 1997 - Quintessence. Spontaneous Music Ensemble 1997 Quintessence. DAA-OOM, is a loose composition inspired by the music of both the central African pygmies and Albert Ayler. This was designed to be performed by a trio, as happened a few days later. Even decades later, the rawness of these pieces is still somewhat startling.