The Woods is the seventh and final studio album by the indie rock trio Sleater-Kinney.

Sleater-Kinney - Sleater-Kinney. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.

Sleater-Kinney Cassingle. Price Tag (Live in Paris).

Sleater-Kinney is the debut studio album by the American rock band Sleater-Kinney, released in 1995 by Chainsaw Records. Sleater-Kinney was recorded by Nick Carrol at 486 Victoria Street in Melbourne, Australia and produced by Tim Green and the band at the Red House in Olympia, Washington. The album was released in 1995 by the queercore independent record label Chainsaw Records

Sleater-Kinney is an American rock band that formed in Olympia, Washington in 1994. The band's discography consists of eight studio albums, one live album, ten singles, and six music videos. The band released their debut album, Sleater-Kinney, in 1995 on the independent record label Chainsaw Records. The band's second album, Call the Doctor, was released in 1996 to critical acclaim, cementing the band's reputation as one of the major musical acts from the Pacific Northwest.

Biography by Stephen Thomas Erlewine. Arguably the most important punk band of the 1990s and 2000s, with feminist songwriting matched by taut melodicism and jaw-dropping sonic complexity. Dig Me Out. Sleater-Kinney. See Full Discography.

Sleater-Kinney (album). Sleater-Kinney is the debut studio album by the American rock band Sleater-Kinney, released in 1995 by Chainsaw Records. 1 Recording and release. The album was released in 1995 by the queercore independent record label Chainsaw Records. As of March 1996, the album had sold 1,000 copies according to singer and guitarist Corin Tucker. As of February 2015, Sleater-Kinney has sold 25,000 copies in the . Critical reception.

Sleater-Kinney will release an as-yet-untitled follow-up to their reunion album, 2015’s No Cities to Love, sometime this year. St. Vincent produced the album with the band. We always planned on getting back in the studio - it was just a matter of when, guitarist Carrie Brownstein told NPR. If there is an overarching principle to this album, it’s that the tools on which we were relying proved inadequate. So we sought new ones, both metaphorically and literally.