Покупайте и продавайте винил и компакт-диски, формируйте собственную коллекцию записей Can.

This is a straight rip from the vinyl itself. Original filetype: FLAC for lossless compression and the highest quality possible. 00:00 Future Days 09:32 Spray 18:01.

Color: Yellow FAV TRACKS: Future Days LEAST.

Can Future Days (1973) United Artists 01 Future Days 00:00 02 Spray 09:33 03 Moonshake 18:04 04 Bel Air 21:11 Michael Karoli (guitar); "ダモ" 鈴木健二 PIAS, WMG, Believe Music (от лица компании "Spoon Records"); ASCAP, The Royalty Network (Publishing)" и другие авторские общества (7). Композиция. Anthology (Remastered).

Future Days is the fifth studio album by the German experimental rock group Can, originally released in 1973. It is the last Can album to feature Japanese vocalist Damo Suzuki. On Future Days, the band foregrounds the ambient elements they had begun exploring on previous efforts, dispensing largely with traditional rock song structures and instead "creating hazy, expansive soundscapes dominated by percolating rhythms and evocative layers of keys

Apart from the delightfully concise single "Moonshake," the album is comprised of just three long atmospheric pieces of music. The title track eases us into the sonic wash, while "Spray" is built around Suzuki's eerie vocals, which weave in and out of the shimmering instrumental tracks. The closing "Bel Air" is a gloriously expansive piece of music that progresses almost imperceptibly, ending abruptly after exactly 20 minutes. Aptly titled, Future Days is fiercely progressive, calming, complex, intense, and beautiful all at once. It is one of Can's most.

Krautrock Can. Band's List Krautrock Can Future Days. Members owning this album5.

Future Days is the studio/Mixtape Album by artist/Rapper/DJ Can, and Album has highlight a Pop, Rock, Avant-Garde sound. It was released/out on 1973 in English dialect, by some Music Recording Company, as the follow-up to last studio/Mixtape Album. The Album features coordinated efforts with makers, producers and guest artists and is noted for Can experimentation with new melodic types. Future Days was generally welcomed by critics and was designated/won distinctive awards

Future Days is the fifth studio album by the German experimental rock group Can, originally released in 1973. On Future Days, the band foregrounds the ambient elements they had begun exploring on previous efforts, dispensing largely with traditional rock song structures and instead "creating hazy, expansive soundscapes dominated by percolating rhythms and evocative layers of keys. PopMatters wrote that "It feels as if Future Days is driven by a coastal breeze, exuding a more pleasant, relaxed mood than anything the band had previously recorded.

Following Future Days, Suzuki got married to a Jehovah's Witness and left the band. After trying out several singers, Can eventually decided to keep things to themselves for Soon Over Babaluma, as Karoli took over vocals in most cases, with Schmidt helping from time to time. Due to circumstances, the record sounds obviously transitional, and was in fact the last one Can would complete using their tried and true straight-to-stereo method, before upgrading to more modern, multi-track methods afterwards.