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Provided to YouTube by Universal Music Group New Chautauqua · Pat Metheny New Chautauqua ℗ 1979 ECM Records GmbH, under exclusive license to Deutsche.

Slightly different from Pat Metheny - New Chautauqua: this version is etched with both John Bittner (JB) and Greg Fulginiti (GF), while the other version is stamped with only Bittner. P)(C) 1979 ECM Records GmbH. Recorded August 1978 at Talent Studio, Oslo. Matrix, Runout (A Side runout): ECM-1-1131-A MO (ᵛᵛ) 34700 JB. Matrix, Runout (B Side runout): ECM-1-1131 B3 GF (ᵛᵛ) 34700 MO.Matrix, Runout (A Side etched): ECM-1-1131A 34700.

When Pat Metheny's New Chautauqua first appeared in 1979, it was his third album for ECM, and was greeted mainly on the strength of its title track, a euphoric, uptempo, multi-layered guitar and bass folk dance.

More albums from Pat Metheny: The Sign Of 4 by Pat Metheny. Works by Pat Metheny. Passaggio Per Il Paradiso by Pat Metheny. I Can See Your House From Here by Pat Metheny. Metheny Mehldau by Pat Metheny. All The Things You Are by Pat Metheny. 80/81 by Pat Metheny. As Falls Wichita, So Falls Wichita Falls by Pat Metheny. View all albums . New Chautauqua. 3. Long-Ago Child, Fallen Star.

New Chautauqua is a music studio album recording by PAT METHENY (Jazz ive Rock) released in 1979 on cd, lp, vinyl and/or cassette. ECM Touchstones: New Chautauqua ECM 2008. New Chautauqua Ecm Records 2000. Pat Metheny New Chautauqua (Vinyl Record) atlantic. Metheny, Pat New Chautauqua (Touchstones) Other Modern Jazz Records. Sort: Recent best-seller.

Jazz Rock Pat Metheny. Band Name Pat Metheny. Album Name New Chautauqua. Released date May 1985. Labels Universal Music Group. Music StyleJazz Rock. Members owning this album1.

Guitarist Pat Metheny is one of the few artists that can perform an entire album by himself and sound like whole orchestra on his own. NEW CHAUTAUQUA finds the modern guitar master employing a myriad of stringed instruments, in both solo works and multi-tracked collages, to great effect. Each piece is awash in Metheny’s signature pastoral style, full of lush strummed chords and angular melodic lines. So complete is the guitarist’s musical creation that it is difficult to distinguish the seams dividing his many instrumental voices, sounding as if he had played them all simultaneously.