Sepultura - Schizophrenia (1987).

Released date 20 March 2001. Labels Roadrunner Records. Music StyleThrash Metal. Members owning this album288.

Sepultura's best-selling album Roots, was released in 1996 and debuted at number 27 on the Billboard 200. In 1996, vocalist Max Cavalera left the band and formed Soulfly. Derrick Green was chosen to replace Cavalera, and with the new vocalist the band released Against in 1998. Nation was released in 2001, the band's last studio album with Roadrunner Records. Sepultura signed to German label SPV and released Roorback

Nation (Sepultura album). Nation is the eighth studio album by the Brazilian metal band Sepultura, released in 2001 through Roadrunner Records. Nation features guest appearances from artists such as Hatebreed singer Jamey Jasta, Dead Kennedys singer Jello Biafra, Ill Niño singer Cristian Machado, Ratos de Porão frontman João Gordo and Apocalyptica. According to the official site, a video for "One Man Army" was scheduled to be filmed at the end of August 2001

Nation (Sepultura album), Nation is the eighth studio album by the Brazilian metal band Sepultura, released in 2001 through Roadrunner Records Nation features guest appear.

Nation ‎(CD, Album, Promo, Car). RR PROMO 585. Netherlands. Nation ‎(Cass, Album). Roadrunner Records, Ukrainian Records. Nation ‎(Cass, Album, Promo).

More albums from Sepultura: Above The Remains: Official Bootleg by Sepultura. The Roots Of Sepultura by Sepultura. The Roadrunner Albums: 1985-1996 by Sepultura. The Mediator Between Head And Hands Must Be The Heart by Sepultura. Alive At Rock In Rio by Sepultura. Machine Messiah by Sepultura. View all albums . Nation. 10. Tribe To A Nation.

All rights Sepultura. I've gone for personal use and entertainment, I do not own rights to the work of the band, except to ENJOY.

Nation (Sepultura album) history. Nation (Sepultura album) encyclopedia. Nation (Sepultura album) facts.

The biggest crime here is the album length. Upon hearing the first few songs, a full 30-40 minute album of similar material would be tolerable – not remotely close to Sepultura’s potential but not particularly offensive either, at least not like Roots was. As the album progresses, however, it almost feels as if you’re hearing the same song over and over again