Undercurrent is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. They would collaborate again in 1966 for the follow-up album Intermodulation. Personnel: Bill Evans (p) Jim Hall (gr) Released: 1962 Recorded: April 24 & May 14, 1962 Sound Makers, New York City Label: United Artists UAJS 15003 Producer: Alan Douglas.

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Intermodulation is a 1966 jazz album by pianist Bill Evans and jazz guitarist Jim Hall. It is a follow-up to their 1962 collaboration Undercurrent.

Undercurrent (Bill Evans and Jim Hall album). Undercurrent is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. The duo collaborated again in 1966 on the album Intermodulation. The front cover image for Undercurrent is Toni Frissell's photograph "Weeki Wachee Spring, Florida". The album was originally released on United Artists, then reissued by Solid State in 1968.

Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio.

Bill Evans, Jim Hall. CD - Universal Distribution. A duet recording between pianist Bill Evans and guitarist Jim Hall is one that should retain high expectations to match melodic and harmonic intimacies with brilliant spontaneous musicianship. Where this recording delivers that supposition is in the details and intricacy with which Evans and Hall work, guided by simple framings of standard songs made into personal statements that include no small amounts of innovation

Together, throughout the album, Evans and Hall sound like so much more than just a piano and guitar. Here we have minimalism stood on its head. The smallest number of musicians possible for interactive improvisation producing a sound as full and close as those big block chords in Bartok's "Concerto for Orchestra. Listen especially to the incredible section where Evans plays big chords syncopated against Hall's intricate melodic improvisation. It blows my mind every time I hear it! Listening to "Romain," I half-consciously, half-subconsciously, compare Evans' semi-rich chordal sadness with John Lewis' single-fingered sorrow on the MJQ's version from their "Pyramid" album.

Bill Evans, Jim Hall, Джордж Гершвин. Tracks count: 5. Views: 2. Bill Evans - I've Got You Under My Skin 03:23. Bill Evans, Jim Hall - All Across The City 04:50. Bill Evans, Jim Hall - Angel Face 06:38.

Álbum · 1988 · 6 canciones. Disponible con una suscripción a Apple Music. Bill Evans & Jim Hall. 6 canciones, 32 minutos. Se estrenó: 25 de nov. de 1988.