A Simple Matter of Conviction is an album by jazz pianist Bill Evans, released in 1967 on Verve.

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A Simple Matter Of Conviction. A2. Stella By Starlight. Design – Acy R. Lehman. Drums – Shelly Manne. Engineer – Rudy Van Gelder. Photography By – Chuck Stewart. Producer – Creed Taylor. Other Versions (5 of 21) View All. Cat.

A Simple Matter of Conviction (1967). Bill Evans and Jim Hall chronology.

personnel : Bill Evans - piano Eddie Gomez - bass Shelly Manne - drums.

Tracklist: 1. A Simple Matter Of Conviction, 2. Stella By Starlight, 3. Unless It’s You, 4. Laura, 5. My Melancholy Baby, 6. I’m Getting Sentimental Over You, 7. Star Eyes, 8. Only Child, 9. These Things Called Changes. More albums from Shelly Manne: Shelly Manne & His Friends Vol. 1 by Shelly Manne. Double Piano Jazz Quartet In Concert At Carmelo’s by Shelly Manne. The Poll Winners by Shelly Manne. Outside by Shelly Manne. Fingering by Shelly Manne. One On One by Shelly Manne. Young Billy Young – Original Motion Picture Soundtrack by Shelly Manne.

The scientific test, a Bill Evans recording from 1966, the rather beautiful "A simple Matter of Conviction" on Verve. Track: A Simple Matter of Conviction – pressed by EMI, Hayes, Middlesex. I have Bill’s other album with Shelly Manne (Empathy) in stereo, also a Van Gelder recording (no Van Gelder in the deadwax though, weir. and it sounds good. Bill in the left channel, bassist Monty Budwig in the center, and Shelly on the right. I love the cover on this one as well. Bill is holding court, he and Shelly look like they’re sharing stories of past gigs and experiences in jazz, and Eddie is intently listening, soaking up all the knowledge from these greats. Aaron on April 25, 2016 at 07:02.

A Simple Matter of Conviction is an album by jazz pianist Bill Evans, released in 1967 on Verve. A Simple Matter of Conviction" (Bill Evans) - 3:18.

Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while