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Composed By – Franz Schubert. Conductor – James Levine. Engineer – Klaus Scheibe. Orchestra – Chicago Symphony Orchestra. Photography By – Robert Lightfoot. Producer – Dr. Steven Paul. Producer – Cord Garben. Other Versions (5 of 7) View All. Cat. Recording Supervisor – Cord Garben. The work on this recording was performed during the 48th season (1983) of the Ravinia Festival Chicago.

The Symphony No. 9 in C major, D 944, known as the Great (first published by Breitkopf & Härtel in 1849 as "Symphonie, C Dur, für großes Orchester", listed as Symphony No. 8 in the Neue Schubert-Ausgabe), is the final symphony completed by Franz Schubert. Originally called The Great C major to distinguish it from his Symphony No. 6, the Little C major, the subtitle is now usually taken as a reference to the symphony's majesty

Symphony No. 7 Op. 70 In D Minor - D-Moll. Remastered and manufactured by Sonocord, Gütersloh. Symphony No. 70 In D Minor - D-Moll (38:31) 1 Allegro Maestoso 10:52 2 Poco Adagio 9:56 3 Scherzo: Vivace 8:14 4 Allegro 9:16

But he does have the Chicago Symphony Orchestra-no mean advantage-and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. It deserves its success.

Chicago Symphony Orchestra, James Levine – 5. Saturn, The Bringer Of Old Age. 5:58. James Levine, Chicago Symphony Orchestra – Rhapsody in Blue. Chicago Symphony Orchestra, James Levine – An American In Paris. Chicago Symphony Orchestra, James Levine – Overture (Die Zauberharfe, . 44). Chicago Symphony Orchestra, James Levine – 2. Venus, The Bringer Of Peace. Matt Haimovitz, Chicago Symphony Orchestra, James Levine – 3. Andante - Allegro vivace. Chicago Symphony Orchestra, James Levine – I. Molto Allegro from Symphony No. 40 in . 2:16. Matt Haimovitz, Chicago Symphony Orchestra, James Levine – Kol Nidrei, O. 7 - Adagio on Hebrew.

Listeners familiar with Jochum's contemporaneous Bruckner recordings will recognize the weight and gravity of his Ninth, but most listeners familiar with only Jochum's later Beethoven and Brahms recordings will be surprised by the lyricism of his Fifth. The Bavarians play with sweetness in their strings, strength in their brass, and color in their winds, and their blend and balance are wonderfully deft.