Tristano - Lennie Tristano. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве.

Biography by Chris Kelsey. Advanced jazz pianist was an early experimenter in the be-bop era and mentored Lee Konitz and Warne Marsh.

Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings.

Lennie Tristano, also known as Tristano, is a 1956 album by bebop jazz pianist Lennie Tristano. The final five songs are live recordings.

Lennie Tristano, Trio, Quartet, Quintet, Sextet. 2015 Remastered 2015. Descent into the Maelstrom.

Crosscurrents (Lennie Tristano album). Crosscurrents is an album by jazz pianist Lennie Tristano. The album was inducted into the Grammy Hall of Fame in 2013. The first seven tracks are recordings of Tristano's sextet, containing Warne Marsh (tenor sax), Lee Konitz (alto sax), Billy Bauer (guitar), Arnold Fishkin (bass), and Harold Granowsky or Denzil Best (drums; separately).

Listen free to Lennie Tristano – The Legend of Lennie Tristano (Abstraction, Out on a limb and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Leonard Joseph Tristano (19 March 1919 – 18 November 1978) was a jazz pianist, composer and teacher of jazz improvisation. He performed in the cool jazz, bebop, post bop and avant-garde jazz genres. He remains a somewhat overlooked figure in jazz history, but his enormous originality and dazzling work as an improviser have long been appreciated by knowledgeable jazz fans. In addition, his work as a jazz educator meant that he has exerted a substantial influence on jazz through figures such as Lee Konitz and Bill Evans.

On Lennie Tristano, he alienated critics with compositions that discarded harmonies in favour of monochromatic moods intensified by roving improvisations in rhythm. The atonal qualities he’d brought to the scene instantly split both listeners and aficionados, creating an argument of whether temperate, austere music can truly come from a passionate place. That cold streak has routinely fuelled detractions about Tristano’s spot in the mausoleum of jazz greats. If one wanted to wax speculative, it could be said that the fact that Tristano taught music throughout the span of his life, starting to do so long before he was even a blip on the Greenwich Village scene, continuing even at the peak of his popular standings, seeped into and altered his sound. The pedantism that comes attached to the teaching process is almost expected to yield an innate detachment to the source material.

Crothers, who played with Lennie Tristano on the album ‘Swish’, said: Lennie once told me he felt that in all the world of art as we know it, all through the centuries, there was a dimension missing and that was the dimension of women. He really felt that if women were brought into the art expression of the times, that this dimension would express something for men and also for the world in its entirety.

Written-By – Lennie Tristano. A4. East Thirty-Second. Written-By – Lennie Tristano. A5. These Foolish Things. Lines ‎(LP, Album, Mono, RE). Atlantic Special. Lennie Tristano ‎(LP, Album, Mono, RP).