Direction: Fritz Werner ‎– Cantata No. 78, "Jesu, Der Du Meine Seele" & Cantata No. 67, "Halt´ Im Gedächtnis Jesum Christ". Bass Vocals – Franz Kelch. Chorus – Heinrich-Schütz-Chor Heilbronn. Conductor – Fritz Werner. Flute – Maxence Larrieu.

1963: Fritz Werner, Helmut Krebs, Claudia Hellmann, Barry McDaniel, Agnes Giebel, Heinrich-Schütz-Chor Heilbronn, Pforzheim Chamber Orchestra, Erato. 1965: Karl Richter, Fritz Wunderlich (tenor), Christa Ludwig (alto), Franz Crass (bass), Gundula Janowitz (soprano), Münchener Bach-Chor, Münchener Bach-Orchester, ARCHIV Produktion, 1967: Karl Münchinger, Peter Pears (tenor), Helen Watts (alto), Tom Krause (bass), Elly Ameling (soprano), Lübecker Knaben-Kantorei, Stuttgarter Kammerorchester. Bach (of BWV 553–560) in the Werner Icking Music Archive (WIMA), Eight Short Preludes and Fugues played on a virtual organ. 47. Goldberg Variations.

In 1948, Franz Kelch was the soloist for A German Requiem of Brahms with the Münchner Philharmoniker, then Bach's Mass in B minor with the Heinrich-Schütz-Kreis conducted by Michael Schneider, and Beethoven's 9th Symphony with the Bamberger Symphoniker and Joseph Keilberth. When in 1951 Karl Richter took over the Heinrich-Schütz-Kreis (that became the Münchener Bach-Chor in 1954), they entered a collaboration until 1957 with performances of all major works of Bach, especially the Vox Christi, the words of Jesus, in Bach's passions.

The case and any inserts will show no sign of wear. J. S. Bach: Great Sacred Choral Works. 1. Cantata No. 40, 'Dazu ist erschienen der Sohn Gottes,' BWV 40 (BCA 12): Schwing' dich auf zu deinem Gott. 2. Seelen-Bräutigam, chorale setting for 4 voices, BWV 409 (BC F173). 3. 187, 'Es wartet alles auf dich,' BWV 187 (BC A110): Singen wir aus Herzensgrund. 22. Meinem Jesum lass' ich nicht, Jesus, chorale setting for 4 voices, BWV 379 (BC F122). 23. Meinem Jesum lass' ich nicht, weil, chorale setting for 4 voices, BWV 380 (BC F141). 24. Work(s): Meinen Jesum lass' ich nicht. 25. 124, 'Meinen Jesum lass ich nicht,' BWV 124 (BC A30): Meinen Jesum lass' ich nicht. 26. Meines Lebens letzte Zeit, chorale setting for 4 voices, BWV 381 (BC F142).

mp3 "Jesu, Der Du Meine Seele" (BWV 78) - "Halt´ Im Gedächtnis Jesum Christ" (BWV 67). Cantate BWV 78 "Jesu, Der Du Meine Seele" Pour Le 14eme Diamache Après La Trinitè. Heinrich-Schütz-Chor Heilbronn. Composed By. Johann Sebastian Bach.

He answered that he had made no abusive remarks about him, and that no one could prove it, for he had gone his way very quietly. Geyersbach retorted that while he might not have maligned him, he had maligned his bassoon at some time, and whoever insulted his belongings insulted him as well. Bach performed a cantata on Sunday at the Thomaskirche, on a theme corresponding to the lectionary readings of the week, as determined by the Lutheran Church Year calendar. He did not perform cantatas during the seasons of Lent and Advent. BWV 143 - Lobe den Herrn, meine Seele (doubtful: possibly not by J. Bach). BWV 144 - Nimm, was dein ist, und gehe hin. BWV 145 - Ich lebe, mein Herze, zu deinem Ergötzen.

Bach's Nekrolog mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas, or over 320 if all cycles would have been ideal cycles. The extant cantatas are around two thirds of that number, with. Auf, mein Herz! (or) So du mit deinem Munde bekennest Jesum, BWV 145 (Easter Tuesday cantata Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145, converted to a cantata for Easter Sunday by adding two preceding movements, one of which, . the opening movement of TWV 1:1350, was composed by Telemann: it is unlikely that this pasticcio was realised by Bach

BWV 15 Denn Du Wirst Meine Seele (Spurious, By . BWV80 - Ein' feste Burg ist unser Gott. French Suite No. 6 BWV 817 by . Bach - Church Cantatas BWV 1. .

Bach graduated from St. Michael's School in 1702, and the following year he accepted the position of violinist in the chamber orchestra of Duke Johann Ernst of Weimar. As substitute organist, he had the privilege of practicing long hours on the church organ, which prepared him for future church positions. Son of Johann Ambrosius Bach, organist and town musician, J. Bach was orphaned at the age of 10 and went to live with his elder brother Johann Christoph at Ohrdruf where he had klavier and org. lessons. In 1700 was a chorister at St Michael's Church, Lüneburg, staying for 3 years, learning much from the organist-composer Georg Böhm.