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David_Bowie Synth-pop Ambient 1999 Europe
David Bowie - Hours... album

David Bowie - Hours... album

  • Performer: David Bowie
  • Genre: Electronic / Rock
  • Title: Hours...
  • Released: 1999
  • Style: Synth-pop, Ambient
  • Country: Europe
  • MP3 version size: 1466 mb
  • FLAC version size: 1916 mb
  • Other: MP4 DTS WAV RA ASF VOX TTA
  • Rating: 4.8
  • Votes: 804
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Description

All lyrics from Hours. album, popular David Bowie songs with tracklist and information about album.

This is just my opinion on the songs on David Bowie's 'Hours.

2002 В опросе Би-би-си 100 величайших британцев занял 29-е место.

2016 Скончался 10 января 2016 года.

Hours (stylised as 'hours. is the 21st studio album by English singer David Bowie. It was released on 4 October 1999 on Virgin Records. This was Bowie's final album for the EMI sub-label. Hours was the first Bowie studio album to miss the US top 40 since his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars and peaked at number 47.

David Bowie - Something In The Air (American Psycho Remix) (06:03, 320Kb/s). David Bowie - Seven (Marius De Vries Mix) (04:12, 320Kb/s). David Bowie - We Shall Go To Town (03:54, 320Kb/s). David Bowie - New Angels Of Promise (Omikron: The Nomad Soul version) (04:38, 320Kb/s). David Bowie - Thursday's Child (Rock Mix) (04:27, 320Kb/s). David Bowie - No-one Calls (03:50, 320Kb/s). David Bowie - 1917 (03:28, 320Kb/s). David Bowie - The Dreamers (Omikron: The Nomad Soul longer version) (05:42, 320Kb/s). On this page you can listen to the album, get information about the album, see the list of songs and much more. Listen online and stay in a good mood.

Since David Bowie spent the '90s jumping from style to style, it comes as a shock that Hours, his final album of the decade, is a relatively straightforward affair. Not only that, but it feels unlike anything else in his catalog. Bowie's music has always been a product of artifice, intelligence, and synthesis. Hours is a relaxed, natural departure from this method. Arriving after two labored albums, the shift in tone is quite refreshing. Thursday's Child," the album's engaging mid-tempo opener, is a good indication of what lays ahead.

(LP, Album, Ltd, Num, RE, Blu). ISO Records, Columbia, Music On Vinyl. David Bowie David Bowie - Survive 3:37. Mavro1, Mr Bojingles.

Band Name David Bowie. Released date 04 October 1999. Labels Columbia Records. Produced by David Bowie. Members owning this album32.

At this point, David Bowie has done more harm than good to his fans' cochleas. His last few albums have failed in almost every aspect, but not for a lack of trying. Outside, his 1995 "comeback," was a concept album about a futuristic murder case that featured an endless stream of clichés and banal S&M; imagery in lieu of lyrics. His 1997 follow-up, Earthling, attempted mock drum-n-bass, some shoddy reggae- tinged numbers, and a universally- panned tour with Trent Reznor. Hours, of course, completes Bowie's late 90's trilogy in his usual fashion- he's altered.

Loving The Alien (1983 - 1988). Beat Of Your Drum (2018). 2018 сингл Live at Hammersmith Odeon, 3rd July, 1973. Welcome To The Blackout. 2018 Live London '78. Stage (2017). I Dig Everything: The 1966 Pye Singles. Without You I'm Nothing.

the best album by David Bowie? BestEverAlbums. com brings together thousands of 'greatest ever album' charts and calculates an overall ranking. This album At A Glance. by David Bowie (1999) Overall rank: 5,230th. Accolades: Top albums of 1999 (86th). Top albums of the 1990s (1,013th). Best albums of all time (5,230th).

Tracklist Hide Credits

1 Thursday's Child
Written-By – David Bowie, Reeves Gabrels
 5:24
2 Something In The Air
Written-By – David Bowie, Reeves Gabrels
 5:46
3 Survive
Written-By – David Bowie, Reeves Gabrels
 4:11
4 If I'm Dreaming My Life
Written-By – David Bowie, Reeves Gabrels
 7:04
5 Seven
Written-By – David Bowie, Reeves Gabrels
 4:04
6 What's Really Happening?
Written-By – Alex Grant, David Bowie, Reeves Gabrels
 4:10
7 The Pretty Things Are Going To Hell
Written-By – David Bowie, Reeves Gabrels
 4:40
8 New Angels Of Promise
Written-By – David Bowie, Reeves Gabrels
 4:35
9 Brilliant Adventure
Written-By – David Bowie, Reeves Gabrels
 1:54
10 The Dreamers
Written-By – David Bowie, Reeves Gabrels
 5:14

Companies, etc.

  • Phonographic Copyright (p) – David Bowie
  • Copyright (c) – David Bowie
  • Licensed To – Virgin Records America, Inc.
  • Pressed By – EMI Swindon
  • Published By – Nipple Music
  • Published By – RZO Music Ltd.
  • Published By – My Half Music
  • Published By – Bug Music Ltd.
  • Published By – Exploded View Music
  • Recorded At – Seaview, Bermuda
  • Overdubbed At – The Looking Glass Studios
  • Overdubbed At – Chung King Studios
  • Mixed At – The Looking Glass Studios
  • Mixed At – Chung King Studios
  • Mastered At – Masterdisk
  • Glass Mastered At – EMI Swindon

Credits

  • Acoustic Guitar [12-string] – David Bowie, Mark Plati, Reeves Gabrels
  • Artwork [Album Cover Concept] – David Bowie
  • Artwork [Album Design & Image Manipulation] – Rex Ray
  • Backing Vocals – Holly Palmer (tracks: 1)
  • Bass, Guitar [Electric 12-string], Synthesizer – Mark Plati
  • Drums – Mike Levesque (tracks: 1 to 4, 6, 7, 9), Sterling Campbell (tracks: 5, 8, 10)
  • Engineer – Kevin Paul
  • Engineer [Assistant] – Jay Nicholas, Ryoji Hata
  • Guitar [Lead], Guitar [Rhythm], Guitar [Electric], Acoustic Guitar [6-string], Loops [Drum Loops], Programmed By [Synthesizer], Drum Programming – Reeves Gabrels
  • Mastered By – Andy Van Dette*
  • Mellotron – Mark Plati (tracks: 3)
  • Mixed By, Producer [Additional], Engineer [Additional] – Mark Plati
  • Percussion – Everett Bradley (tracks: 5)
  • Photography By [Additional Inside Photo] – Frank W. Ockenfels*
  • Photography By [Cover & Inside Photos] – Tim Bret Day*
  • Producer – David Bowie, Reeves Gabrels
  • Rhythm Guitar – Chris Haskett (tracks: 4)
  • Vocals, Keyboards, Drum Programming [Roland 707] – David Bowie

Notes

℗ & © 1999 David Bowie under exclusive license to Virgin Records America, Inc.

Printed in the EU.
Made in the EU

S.I.A.E. as rights society indicates that this CD was for Italian market.

Barcode and Other Identifiers

  • Barcode (Printed): 7 24384 81572 1
  • Barcode (Scanned): 724384815721
  • Matrix / Runout (Variant 1): 848157 2 .1 :3:8 EMI SWINDON
  • Matrix / Runout (Variant 2 & 3): 848157 2 . 1 EMI SWINDON
  • Mastering SID Code (Variant 1, 2 & 3): IFPI L042
  • Mould SID Code (Variant 2): ifpi 2509
  • Rights Society: BEL/BIEM
  • Rights Society: S.I.A.E.
  • Label Code: LC 03098
  • Other (French Distribution Code): PM 527
  • Mould SID Code (Variant 3): IFPI 2515

Other versions

Category Artist Title (Format) Label Category Country Year
7243 8 48158 2 0, CDVX 2900, 48158 2 David Bowie Hours... ‎(CD, Album, Ltd, Len) Virgin, Virgin, Virgin 7243 8 48158 2 0, CDVX 2900, 48158 2 Europe 1999
0825646507528 David Bowie Hours... ‎(CD, Album, RE) Parlophone, ISO Records 0825646507528 Europe 2016
MDV 2900, 7243 8 48157 8 3 David Bowie Hours... ‎(MD, Album) Virgin, Virgin MDV 2900, 7243 8 48157 8 3 Europe 1999
MOVLP1400 David Bowie Hours... ‎(LP, Album, Ltd, Num, RE, Blu) ISO Records, Columbia, Music On Vinyl MOVLP1400 Europe 2015
none David Bowie Hours... ‎(Cass, Album, Unofficial) Not On Label (David Bowie) none Unknown

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Comments

RUsich155 RUsich155
this is the record where bowie gave up trying to do something creative and made an attempt to return to a "classic sound". he would do this twice more before he stopped releasing records altogether. as is generally the case with the "return to the classic sound" record, this falls flat through large portions of it's running time. however, there are a few enjoyable moments scattered throughout the disc.on the one hand, it's hard to blame him for turtling. the records preceding this one were nearly universally panned as either unlistenable excursions into pointless artistic posturing or sad attempts to appeal to people half his age, as though young people aren't allowed to have any appreciation for older musicians or older musicians are for some reason required to only appeal to older people. this idea seems to be rooted in a warped concept of rock music as something that is generational, and the boomers themselves are largely to blame for this as they set the whole thing up that way, but it's a juvenile approach to listening to music that negates the music itself and reduces the artform to a social trick for shallow idiots. believe it or not, i didn't buy this bowie record to make friends or attract members of the opposite sex, i bought it because i was hoping that i'd enjoy listening to it.on the other hand, the disc lacks the sense of adventure that is required for a bowie disc to function properly. if i wanted watered down pop, i'd have bought something other than a bowie disc.now, it's not a straight return to his glory days. bowie has spliced various pieces of his 70s sound - mostly the fripp, eno and ronson years - with an "adult contemporary" feel, likely in an attempt to not just move backwards but to recapture the same audience that was listening to his discs in 1979 and were then twenty years older than they were in 1979. tracks like something in the air, with it's ronsonesque guitars and shimmering textures, manage to pull this off well but others like thursday's child come off as trite and generic. still others, like seven, sound like grandpa singing around the campfire at christmas.my dad loves this disc; while i'm the one that initially purchased it, i had to borrow it from him to review it. he loves the musical and lyrical references to the mid 70s. he loves answering the question "who said time is on my side?", which i wouldn't have been able to answer without his help; the answer is mick jagger. while the young may not understand these masturbatory, nostalgic exercises down memory lane, the record was not written for them and should not be judged by it's ability to appeal to them. the record must be judged by whether or not it achieves it's goal, which was to reconnect with an increasingly disinterested and aging fan base, and by that standard the disc succeeded, whether i happen to find large amounts of it downright regressive or not.