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Recorded Live at the Monterey Jazz Festival is a live album by saxophonist John Handy, recorded in 1965 and released in 1966. It is Handy's most famous album and his debut on Columbia. The original album only features two long instrumental pieces, notable for their "free form", a peculiar use of harmonies and unusual instruments (violin and guitar along with more "classic" jazz instruments are uncommon in jazz music)

John Handy's performance at the 1965 Monterey Jazz Festival was a sensation and arguably the high point of his career. The altoist, using a quintet that included violinist Michael White, guitarist Jerry Hahn, bassist Don Thompson, and drummer Terry Clarke (all of whom were young unknowns at the time), played two lengthy songs: the 27-minute "If Only We Knew" and "Spanish Lady," which lasts a mere 19 and a half minutes. After a brief theme, "If Only We Knew" mostly features unaccompanied solos.

Artists John Handy Recorded Live At The Monterey Jazz Festival. Recorded Live At The Monterey Jazz Festival John Handy. Recorded Live At The Monterey Jazz Festival. This album has an average beat per minute of 102 BPM (slowest/fastest tempos: 96/108 BPM). Tracklist Recorded Live At The Monterey Jazz Festival.

Recorded Live at the Monterey Jazz Festival (1966)Recorded Live at the Monterey Jazz Festival1966 Contents. 1 Reception Track listing. All compositions by John Handy III except as indicated.

Live at Birdland (1963) Birdland – Miles Davis (1951) Round About Midnight at the Cafe Bohemia – Kenny Dorham (1956) Stephane Grappelli at Tivoli Gardens (1979) Billie Holiday at Carnegie Hall (1956) A Night in Paris – Diana Krall (2001) The Drum Battle: Gene Krupa & Buddy Rich at JATP (1952) Shelly Manne at the Black Hawk (1960) John McLaughlin Live in Paris (1998) The Complete Last. Seems like my favourite live jazz album didn’t make the cut. Recorded Live at the Monterey Jazz Festival by John Handy. February 27, 2017 at 5:41 pm. THE live recorded concert.

A bonus of festival work is the opportunity to recruit musicians for new collaborations. It doesn't always work, but sometimes it does, and when Monterey Jazz Festival Records' General Manager Jason Olaine worked with Vision Arts manager Louise Holland to bring together bass icon Dave Holland, saxophonist Chris Potter, drummer Eric Harland and pianist Gonzalo Rubalcaba, it seemed like a match made in heaven