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This album has an average beat per minute of 93 BPM (slowest/fastest tempos: 78/102 BPM). See its BPM profile at the bottom of the page. Tracklist Crosscurrents. BPM Profile Crosscurrents. Album starts at BPM, ends at 93BPM (+93), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Hilton Ruiz.

HILTON RUIZ - Crosscurrents. Filed under Afro-Cuban Jazz By HILTON RUIZ. A1 Stolen Moments 5:00 A2 My Little Suede Shoes 4:05 A3 Time 4:05 A4 Confirmation 4:39 B1 If I Were A Bell 4:49 B2 (There Is) No Greater Love 3:01 B3 A Night In Tunisia 3:54 B4 Take The A-Train 3:02.

Hilton Ruiz ‎– Crosscurrents. Label: Stash Records ‎– ST-CD-19. Format: CD, Compilation. Tracks 1 to 8 recorded in November of 1984 and 9 to 11 on January 14 & 15, 1986, all at Lobel Recording Studios, West New York, . 1-8 from the LP Crosscurrents (Stash LP ST 248) 9-11 from the LP Hilton Ruiz & The Vibration Society Plays The Music Of Rahsaan Roland Kirk (Stash LP ST-261).

Listen to Hilton Ruiz Radio featuring songs from Crosscurrents free online. Слушать бесплатное интернет-радио, спорт, музыку, новости, разговорное и подкасты. События в прямом эфире, трансляции игр NFL, MLB, NBA, NHL, университетских команд и матчи Премьер-лиги. Спорт, музыка, новости и подкасты. Слушайте аудиоконтент, который для вас наиболее важен.

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Hilton Ruiz (May 29, 1952 – June 6, 2006) was an American jazz pianist in the Afro-Cuban jazz mold, but was also a talented bebop player. He was of Puerto Rican descent. Born in New York City, Ruiz began playing piano at the age of five after being inspired by Duke Ellington. At the age of eight he performed Mozart at Carnegie Hall. In high school Ruiz studied jazz piano with Mary Lou Williams. In 1973 he was a sideman for Roland Kirk, then later for Clark Terry.

Hilton Ruiz Discography & Songs. 1991 Piano Man. 1 One For Hakim.

Born to Puerto Rican parents in New York, his distinctive style reflected the crosscultural Nuyorican life, but he was also immersed in classical music and jazz. The bop album, Heroes (1993) and the Latin-based Hands on Percussion (1995) saw Tito Puente in combat. By the time of his death, Ruiz was highly respected in his two worlds, and had seen his compositions used in the sound tracks to the films Crimes and Misdemeanours (1989) and American Beauty (1999). The 2003 CD Enchantment reunited him with saxophonist Chico Freeman, and the pianist luxuriated in a light Keith Jarrett style on the samba groove of Black Narcissus.