My Bloody Valentine - Loveless play album
Rock
Electronic / Hip-hop / Jazz / Rock / Blues / Creative music
The third album by Jack and Meg White was the right dynamite for a mainstream breakthrough. Jack’s Delta-roadhouse fantasies, Detroit-garage-rock razzle and busted-love lyricism, as well as Meg’s toy-thunder drumming all peaked at once. By their fifth album, Kiss were the most popular band in America, with sold-out stadium tours and eventually their own pinball machine, makeup line and a TV movie. Built around the proto power ballad Beth, this is a ridiculously over-the-top party-rock album that just gets better with age. Listen here.
The 500 Greatest Albums of All Time" is a 2003 special issue of American biweekly magazine Rolling Stone, and a related book published in 2005.
The Rolling Stones is the debut album by the Rolling Stones, released by Decca Records in the UK on 16 April 1964. The album is included in Robert Dimery's 1001 Albums You Must Hear Before You Die.
Two Great Albums Cheap. Label: Vinyl Gang Productions. February March April May June August September October December.
Most experimental album they made, with great psychedelic songs like "in another land" and "2000 light years from home" and songs that touch me deep inside like "she's a rainbow". This album is just totally complete. I love all the albums, but none of them quite have the same sound as this one. Sure, you could call Between the Buttons psychedelic, but that record sounds very Beatlesque - not a bad thing, but it doesn't have the feeling that this one has, the depth. If this isn't the greatest live album of all time, it's a close second to The Who's Live At Leeds. 28 The Rolling Stones No. 2 - The Rolling Stones. Better than its US counterparts 12x5 & Now! The Best.
Data about Rolling Stone magazine's (2012) top 500 albums of all time list. I took the albums from MusicBrainz but the genres weren't listed.
Tattoo You (1981) by The Rolling Stones 212. Proud Mary: The Best Of Ike And Tina Turner (1991) by Ike And Tina Turner 213. New York Dolls (1973) by New York Dolls 214. Go Bo Diddley (1959) by Bo Diddley 215. Two Steps From The Blues (1961) by Bobby Bland 216. The Queen Is Dead (1986) by The Smiths 217. Licensed To Ill (1986) by Beastie Boys 21. Though a little outdated (created in 2003) and weighted toward testosterone-fueled vintage rock, Rolling Stone Magazine’s list of top 500 albums is a great start in documenting the Anglo-American music canon. In line with our goal to make Genius the ultimate companion to music, we’re leveraging this list to catalogue the lyrics and annotations for all these albums.
Most post-70s Stones albums seem rooted in a power struggle between Richards’ traditionalism and Jagger’s desire to stay relevant. On Undercover, Jagger won: a lot of the then-cutting edge 80s production falls flat, but when it does work, as on the hip-hop-influenced opener Undercover of the Night and Too Much Blood, you can really hear what he was driving at. 17. Black and Blue (1976). The Rolling Stones, from left to right: Keith Richards, Charlie Watts, Mick Jagger, Bill Wyman and Mick Taylor. Photograph: PR handout. 11. Rolling Stones No 2 (1965). At the point where even the most committed fan despaired of them ever making an unequivocally great album again, they did. You could ask why they didn’t return sooner to the blues songs that first inspired them, but the passing of time gives Blue & Lonesome its power.
The more consistent of two Stones albums released in 1967 (sorry, ‘Their Satanic Majesties Request’), ‘Between the Buttons’ is packed with eclectic gems: music-hall curveball ‘Something Happened to me Yesterday’, the fame-wary ‘Yesterday’s Papers’ and of course the classics, ‘Let’s Spend the Night Together’ and ‘Ruby Tuesday’, songs so recyclable they’re part of the British conscience . Released in the midst of punk, 1978’s ‘Some Girls’ is the great post-‘Exile’ Stones album, and their first with guitarist Ronnie Wood. After veering progressively further from dumb rock’n’roll (and into dumb ere-listening-to), ‘Some Girls’ was at once wiser and simpler than its recent predecessors, blazing through bona fide hell-raisers like ‘When the Whip Comes Down’ with irrepressible lust.
| 1-1 | Jumping Jack Flash |
| 1-2 | Roll Over Beethoven |
| 1-3 | Sympathy For The Devil |
| 1-4 | Stray Cat Blues |
| 1-5 | Love In Vain |
| 1-6 | Dead Flowers |
| 1-7 | Midnight Rambler |
| 1-8 | Live With Me |
| 1-9 | Let It Rock |
| 1-10 | Little Queenie |
| 1-11 | Brown Sugar |
| 2-1 | Brown Sugar |
| 2-2 | Bitch |
| 2-3 | Rocks Off |
| 2-4 | Gimme Shelter |
| 2-5 | Happy |
| 2-6 | Tumbling Dice |
| 2-7 | Sweet Virginia |
| 2-8 | You Can't Always Get What You Want |
| 2-9 | All Down The Line |
| 2-10 | Midnight Rambler |
| 2-11 | Jumping Jack Flash |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| TMQ 7505 | The Rolling Stones | European Tour 1970 / Burning At The Hollywood Palladium 1972 (LP, Album, Comp, Unofficial, Blu) | Trade Mark Of Quality | TMQ 7505 | US | 1975 |
Rock
Rock
Rock
Rock
Rock
Rock
Rock / Blues
Rock
Rock
Rock