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Waltz for Debby - Bill Evans. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве.

Текст песни: The night is like a lovely tune Beware, my foolish heart So white the ever-constant moon Take care, my foolish heart.

Waltz for Debby is a 1964 album in English and Swedish by the American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund. It was reissued by Verve Records in 2006. Evans' lyricism is well suited to a breezy, sophisticated songstress like Monica Zetterlund

Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July, 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 & 22 of the same year with a slightly different lineup. The Interplay Sessions peaked at on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track.

Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. The trio's most impressive interplay is in "My Romance," after Evans' opening moments introducing the changes. Here Motian's brushwork is delicate, flighty and elegant, and LaFaro controls the dynamic of the tune with his light as a feather pizzicato work and makes Evans' deeply emotional statements swing effortlessly.

Waltz for Debby (Evans) - 7:00. Detour Ahead (Carter-Ellis-Frigo) - 7:36. My Romance (Rodgers-Hart) - 7:12. Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates

Detour Ahead (Take 2). Written-By – Ellis, Frigo, Carter. My Romance (Take 1). Written-By – Rodgers/Hart. Written-By – Comden/Green, Bernstein. Producer – Jack Lewis (tracks: 2-1 to 2-6), Orrin Keepnews (tracks: 1-1 to 1-6). Reissue Producer – Glenn Gretlund. Packaged in slim double jewel case inside a cardboard slipcase. Walt For Debby Total Playing Time: Approx 38 mins Recorded June 25th, 1961, At The Village Vanguard, New York City Originally Released On Riverside Records (RLP-399). The Ivory Hunters Total Playing Time: Approx 42 mins Recorded March 12th, 1959, New York City Originally Released On United Artists Records (LP 6044).

More albums from Bill Evans: Autumn Leaves by Bill Evans. Interplay by Bill Evans. Further Conversations With Myself by Bill Evans. Conversations With Myself by Bill Evans. What’s New by Bill Evans. s And Other Great Songs by Bill Evans. At Shelly’s Manne-Hole, Hollywood, California by Bill Evans. 5. Monicas Vals (Waltz For Debby). 6. Lucky To Be Me. 7. Vindarna Sucka.

Waltz for Debby is an album by American jazz pianist Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian, originally released in 1962. The album was the fourth and final effort from the unit-LaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard were taken. The loss of LaFaro hit Evans hard, and he went into a brief seclusion The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. It remains what is likely.