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Konstruktivists - A.G.M album

Konstruktivists - A.G.M album

  • Performer: Konstruktivists
  • Genre: Electronic
  • Title: A.G.M
  • Released: 1993
  • Style: Industrial, Ambient
  • MP3 version size: 1225 mb
  • FLAC version size: 1126 mb
  • Other: AHX TTA DMF WAV FLAC ASF AIFF
  • Rating: 4.4
  • Votes: 340

Description

Steady, walking electronic rhythm section, strange, spacey Vocals.

KONSTRUKTIVISTS DISCOGRAPHY. Lp CD DL. Flowmotion klanggalerie bandcamp.

Konstruktivists ‎– . Label: Klanggalerie ‎– gg54. Country: Austria this isn't excactly the same but still evoke this special feeling in m. .Reply Notify me Helpful.

Got it. + add. album. from A - G - M by Konstruktivists. supported by. panfix70. If you like Konstruktivists, you may also like: Brutality in Stone by Axebreaker. The latest from Terence Hannum's anti-fascist power electronics project uses claustrophobic noise to evocative, visceral ends. Bandcamp New & Notable Feb 6, 2019. Honey Insulation by Trashlight. Dance-ready cold-wave meets brutalist punk on this collection of gothed-out synth-pop tunes. Bandcamp New & Notable Aug 27, 2018. The Drought by Puce Mary. Puce Mary returns with another LP of harrowing experimental electronic music. Bandcamp New & Notable Aug 9, 2018.

Konstruktivists Perverting your ears since 1980. at ww. onstruktivists.

Konstruktivists was formed by Glenn Michael Wallis in 1982 out of the ashes of Heute. Heute were a kraut rock influenced trio using electronics as well as conventional guitars and bass. Around this time - in the late 70's/early 80's Glenn Michael Wallis was heavily involved with Throbbing Gristle, the . He acted as control agent for them - which involved anything from checking out venues to acting as bouncer/heavy.

The band was formed by Glenn Michael Wallis from his previous band Heute, a trio. 1990s members were Wallis, Lawrence Burton, Joseph Ahmed, R. Alcapone Shiells and Mark Crumby. In 2000, Wallis changed the band's name to Konstruktivist, with the spelling Konstruktivists also being used. A Dissembly (Flowmotion LP, 1982). Asylum - Semi Sex Act. Karnage. side A) Masonik No 1 (4:46). Free Form Fetish (4:17). Bebor Racket) (4:57).

Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, SPK, and early Clock DVA, Glenn began to record his own material. The equipment used for this album includes a Korg MS-20, Casio MT-40, Roland TR-606 and TB-303, Korg Space Echo 555 and an Eventide Harmonizer previously used by Throbbing Gristle. In the studio was an old broken piano which was recorded with two microphones onto an 18 foot tape loop. Chris Carter of Throbbing Gristle modified Glenn's TR-606 with separate outputs for snare and bass drums to help create the slap back snare sound heard through the album.

Konstruktivists - Kandyman, 06:16, . MB download mp3 full version here. Album: Deap - Electronic Ambient Vol. 4. Release year: 2011. Download Konstruktivists - Kandyman. Deap - Electronic Ambient Vol. 4: Best 2 songs. Irvin Duguid - Mezza 03:11. Neville Taylor - Outer Space Drone 03:00. Konstruktivists: best 2 tracks. Konstruktivists - Heartbeat Experience - Electronic Ambient Vol. 1, 120 Bpm and More, 2011 06:24. Konstruktivists - Heartbeat Dark Odyssey, 2006 06:24. Artist: Konstruktivists.

Tracklist

A1 We Hate You 4:43
A2 Nightsinn 5:37
A3 Playsinn 6:59
A4 Neusum 92 I (Remix) 2:43
B1 Neusum 92 II (Remix) 6:24
B2 Dangerous Blues 5:47
B3 San Fran Sound 3:55
B4 Autocity 3:30

Credits

  • Design – Runciter Corporation
  • Written-By – Konstruktivists

Notes

Tracks A1 to B1 composed in 1982. Tracks A4 and B1 remixed in 1992. Tracks B2 and B3 are composed in 1992, track B4 in 1983.

Other versions

Category Artist Title (Format) Label Category Country Year
none Konstruktivists A-G-M ‎(16xFile, MP3, Album, RE, 320) Not On Label (Konstruktivists Self-released) none 2013
gg54 Konstruktivists A.G.M ‎(CDr, Album, Ltd, Num, RE) Klanggalerie gg54 Austria 2002

Comments

DireRaven DireRaven
Side one opens with the disquieting "We Hate You", which like most of the tracks here dates back to 1982, combining a low bassy ripple effect with various electronic sounds to give a Dr. Who soundtrack - fairly simple/minimal, and impressive for that. Noises echo through the electrically-alive night darkness; hints of....animals? "NightSinn" sounds very much like a track from THROBBING GRISTLE's "D.O.A." - perhaps "Valley Of The Shadow Of Death". They have here recaptured the cold, artificial, vivisectionist's-scalpel-keen atmosphere which would be destroyed or marred by anything less minimal. Percussive noises combine with thrills & muffled booms - damn effective. "Playsinn" is a more structured piece which, full of interesting synthetic noises as it is, relies on a combination of thin electronic rhythm & deep bass line to keep it's images together. Again a cold piece but more logically composed. The closing track on side 1 - "Neusum '92 I" is a remix of a 1982 track. Built on a fast 4 note sequence, it's combination of angry-hornet guitar & distant, distort voices give it a feel of edginess akin to that of early CABARET VOLTAIRE albums. Simple, yes, but effective. Side two opens with another '92 renix of an '82 song - this one "Neusum '92 II", a longer rhythmic piece combining the skeletal rhythmic backings of the aforementioned group, yet has a subtle way of overlayering noisy electronic lightning flashes & noise, combining these elements into as impressive cold, stark mood piece. "Dangerous Blues" is a '92 track, using similar thin CABS-like drums over which a guitar which - yes - does have an atrophied R & B sound to it, creates a cold, calculated rhythm, a Red Indian tribal dance of invocation to obscure Gods of Granite & Night. "San Fran Sound"'s another recent piece, rising up clutching wind-instrument-like noises which it holds & moulds against another filigree drum pattern. It has to be the most musically composed piece here, yet has a loose, dissonant ragginess with it's shaggy 'lectric guitar, it's sub-Funky bass & it's selection of strange electronic FX. "Autocity", another old track, closes the album. It's a sort of warm rhythmic thing, composed mainly on sequencers, giving it a sound & atmosphere heard on early HUMAN LEAGUE records, such as "Dignity Of Labour", and on TANGERINE DREAM- type electronic groups. It also nods, in its unsynchronised, time-lagging way, towards microtonal experimentation, although whether this was the intention... This album contains the most interesting & fulfilled music I have heard by KONSTRUKTIVISTS. more enjoyable than "Tic Tac Toe"; more fulfilled than their occasional comp. track. They obviously need to be heard over a longer medium to be fully appreciated. Originally reviewed for Soft Watch.