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Art_Of_Noise House Downtempo Ambient 1999 UK
Art Of Noise - The Seduction Of Claude Debussy album

Art Of Noise - The Seduction Of Claude Debussy album

  • Performer: Art Of Noise
  • Genre: Electronic
  • Title: The Seduction Of Claude Debussy
  • Released: 1999
  • Style: House, Downtempo, Ambient
  • Country: UK
  • MP3 version size: 1699 mb
  • FLAC version size: 1475 mb
  • Other: TTA AA AIFF ADX MP2 RA VOX
  • Rating: 4.1
  • Votes: 837
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Description

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Формируйте собственную /коллекция/ коллекцию записей The Art Of Noise.

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The Seduction of Claude Debussy is a 1999 concept album by Art of Noise, featuring a line-up of Trevor Horn, Anne Dudley, Paul Morley, and Lol Creme. Also appearing on the album are John Hurt, soprano Sally Bradshaw, Rakim, and Donna Lewis. The group blended the music of French impressionist composer Claude Debussy with drum and bass, opera, hip hop, jazz, and narration, and described the album as "the soundtrack to a film that wasn't made about the life of Claude Debussy.

The Seduction of Claude Debussy. Rapt: In the Evening Air. Исполнитель. The Seduction of Claude Debussy. UMG, UnionSquareMusic (от лица компании "ZTT"); ASCAP, CMRRA, BMI - Broadcast Music In. ARESA, BMG Rights Management" и другие авторские общества (5). The Best of The Art of Noise. Show all albums by Art of Noise.

New-Wave Art of Noise. 队列表 New-Wave Art of Noise The Seduction of Claude Debussy. 版公司 MCA Records Universal Music Group ZTT.

More By Art of Noise. See All. Zero ads. Try it now.

Q. EMAP Metro Ltd (July 1999): 104. ^ Zupko, Sarah. Art of Noise: The Seduction of Claude Debussy". Retrieved 29 December 2007. Below the Waste is Art of Noise's fourth full-length original album and their last album for China Records before Anne Dudley reformed with ZTT's Trevor Horn and Paul Morley for 1999's The Seduction of Claude Debussy.

Channel 02: "The Art of Nosie" Anne Dudley, Paul Morley and Trevor Horn hatch a scheme to sabotage John Hurt's career. Dudley's next- door- neighbor dumps recycled beats in her front yard. Dudley is pursued a pygmy assassin with a lethal flute. The divas spit and turn on each other. The band runs for their lives

Il Pleure (At the Turn of the Century), 08:01.

Tracklist Hide Credits

1 Il Pleure (At The Turn Of The Century)
Acoustic Guitar – Ramon StagnaroBass – Jamie MuhoberacDrum Programming – David McCracken*, Paul WallerDrums – Earl HarvinVocals – Fiona Copeland
 8:02
2 Born On A Sunday
Co-producer, Drum Programming, Programmed By [Bass] – Henry JackmanVocals – Carol Kenyon
 4:40
3 Dreaming In Colour
Co-producer – Way Out WestLyrics By – Paul BourgetPercussion – Alex Acuna*, Paulinho Da CostaProgrammed By [Bass] – Paul WallerSaxophone – Stewart LevineVocals – David's Daughter*, Donna Lewis, Niki Harris*
 6:42
4 On Being Blue
Acoustic Guitar – Ramon StagnaroDrum Programming – Tim WeidnerDrums – Earl HarvinFlute – Philippa DaviesLyrics By – Paul Bourget
 4:58
5 Continued In Colour
Percussion – Alex Acuna*, Paulinho Da CostaProgrammed By [Bass] – Paul WallerSaxophone – Stewart LevineVocals – David's Daughter*, Donna Lewis, Niki Harris*
 1:19
6 Rapt: In The Evening Air
Bass – Jamie MuhoberacDrum Programming, Programmed By [Bass] – Paul WallerRap – Rakim
 4:21
7 Metaforce
Co-producer, Arranged By [Rhythm] – Sharktank*Keyboards [String Pad] – Dan VickersRap – RakimTurntables [Decks] – DJ SondVocals – Hassan
3:44
8 The Holy Egoism Of Genius
Acoustic Guitar – Ramon StagnaroBass – Jamie MuhoberacDrum Programming – Paul WallerPercussion – Alex Acuna*, Paulinho Da Costa
 7:56
9 La Flûte De Pan
Computer [Midi] – Tim Weidner
 2:45
10 Metaphor On The Floor
Co-producer, Drum Programming – Ollie JProgrammed By [303] – Lalo CremeRap – Rakim
 2:06
11 Approximate Mood Swing No: 2
Drum Programming [Rhythm Programming] – Andy Richards, Paul Waller
 2:14
12 Pause
Electronics [Orchestral Treatments] – Jamie Muhoberac
 2:30
13 Out Of This World (Version 138) 5:27

Companies, etc.

  • Phonographic Copyright (p) – ZTT Records Ltd.
  • Copyright (c) – ZTT Records Ltd.
  • Manufactured By – Impress
  • Made By – PMDC, UK

Credits

  • Arranged By [Orchestral Arrangement] – Anne Dudley
  • Bass – Trevor Horn
  • Coordinator [Production Co-ordination] – Augusta Quiney, Debbie Caponetta
  • Design [Sleeve Design] – Aba Design*, Art Of Noise*
  • Edited By [Digital] – Don C. Tyler, Spencer Chrislu
  • Engineer [Additional] – Andy Gallimore, Marc Lane, Michael Perfitt, Mike Ross, Paul Wright, Richard Lowe, Roger Dudley, Tim Wills, Tom Elmhirst
  • Engineer [Assistant] – Alex Black, Andre Coulam, Andy Davies, Dan Bierton, Dan Vickers, Iain Robertson*, Jamie Hart, Malook Singh Kundan, Marc Lane, Matt Crawford
  • Guitar – Lol Creme
  • Keyboards – Anne Dudley, Jamie Muhoberac (tracks: 1, 3, 5, 6, 8), Lol Creme, Paul Morley, Trevor Horn
  • Mastered By – Ian Cooper, Steve Marcussen*
  • Mixed By – Richard Lowe (tracks: 6, 11, 13), Tim Weidner (tracks: 1 to 5, 7 to 9, 12), Tim Wills (tracks: 10)
  • Narrator – John Hurt (tracks: 1 to 8, 13)
  • Photography By [Booklet] – AKG London, Clare Langan, Justin Smith
  • Photography By [Cover Mask] – Amelia Stein
  • Piano – Anne Dudley
  • Producer – Trevor Horn
  • Recorded By, Technician [Pro Tools] – Tim Weidner
  • Technician [Technical Assistance] – Alexander Areteos, Justin Fraser
  • Vocals – Sally Bradshaw (tracks: 1 to 5, 8 to 13)
  • Voice – Anne Dudley, Lol Creme, Paul Morley, Trevor Horn
  • Written-By – Anne Dudley, Art Of Noise*

Notes

℗ 1999 ZTT Records Ltd.
© 1999 ZTT Records Ltd.

Digipak release with 12 page booklet.

(It's all in the mind)

Was it not Claude Debussy who said "Nothing is more you than your own dreams".

Was it not the Art of Noise who said " Z is not the beginning, it is not the end. It is the beginning of the end. Rather, it is the end of the beginning..."

Barcode and Other Identifiers

  • Barcode (Printed): 5 030094 033320
  • Barcode (Scanned): 5030094033320
  • Matrix / Runout (Outer Centre Ring. Variant 1, 2, 3): IMPRESS ZTT130CD 01 %
  • Matrix / Runout (Inner Centre Ring. Variant 1, 2, 3): MADE IN THE UK BY PMDC
  • Mould SID Code (Variant 1): IFPI 0487
  • Mastering SID Code (Variants 2, 3): IFPI L132
  • Mould SID Code (Variant 2): IFPI 0495
  • Mould SID Code (Variant 3): IFPI 0445

Other versions

Category Artist Title (Format) Label Category Country Year
ZTT 130 CD The Art Of Noise The Seduction Of Claude Debussy ‎(CD, Album) ZTT ZTT 130 CD UK 1999
UD 53235 Art Of Noise* The Seduction Of Claude Debussy ‎(CD, Album) Universal Records, ZTT UD 53235 US 1999
AICT 119 Art Of Noise* The Seduction Of Claude Debussy ‎(CD, Album, Enh) SMEJ Associated Records AICT 119 Japan 1999
ztt130cd, ZTT130CD Art Of Noise* The Seduction Of Claude Debussy ‎(CD, Album) ZTT, ZTT ztt130cd, ZTT130CD UK 1999
U3P-1504 Art Of Noise* The Seduction Of Claude Debussy / Sources & Methods ‎(CD, Album + CD, Comp + Promo) Universal Records U3P-1504 US 1999

Tracklist

A1 Il Pleure (At The Turn Of The Century)
A2 Born On A Sunday
A3 Dreaming In Colour
A4 On Being Blue
A5 Continued In Colour
A6 Rapt: In The Evening Air
B1 Metaforce
B2 The Holy Egoism Of Genius
B3 La Flûte De Pan
B4 Metaphor On The Floor
B5 Approximate Mood Swing No. 2
B6 Pause
B7 Out Of The World (Version 138)

Notes

6 panel U-card inlay printed both sides. Clear/foil cassette shell with white on-body print.

Barcode and Other Identifiers

  • Barcode: 5030094032743

Other versions

Category Artist Title (Format) Label Category Country Year
ZTT 130 CD The Art Of Noise The Seduction Of Claude Debussy ‎(CD, Album) ZTT ZTT 130 CD UK 1999
UD 53235 Art Of Noise* The Seduction Of Claude Debussy ‎(CD, Album) Universal Records, ZTT UD 53235 US 1999
AICT 119 Art Of Noise* The Seduction Of Claude Debussy ‎(CD, Album, Enh) SMEJ Associated Records AICT 119 Japan 1999
ztt130cd, ZTT130CD Art Of Noise* The Seduction Of Claude Debussy ‎(CD, Album) ZTT, ZTT ztt130cd, ZTT130CD UK 1999
U3P-1504 Art Of Noise* The Seduction Of Claude Debussy / Sources & Methods ‎(CD, Album + CD, Comp + Promo) Universal Records U3P-1504 US 1999

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Comments

Timberahue Timberahue
Ambitious projects of this sort by veteran musicians often fall into one of two results: either pompous self-indulgence by artists desperate to remain relevant, or, as I believe in this case, refreshing and daring forays into modern styles. Although some will see this album in the former light, it seems to me that after having pioneered experimental pop in the Eighties, then going through a period of interesting, although less distinctive records, the Art of Noise here take a look at the 90's dance and ambient scenes, bring back their heavy hitters such as Trevor Horn and Anne Dudley, and produce a work that moves them forward as a group, while teaching their young competitors a few things about musicality and production value. To their credit, they choose not to remain in an artistic rut, and although it could be argued that some of the elements here sound reminiscent of Enigma or In The Nursery, with dollops of opera and rap mixed in for good measure, the result is unique and eminently listenable. For best results, discard your notions of how this, (or any) band 'should' sound.