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media.gsi-baltikum » Jazz » King Oliver - Hometown Blues
Session Details:
A1, A2 - New York, 15th September 1924
A3, A4 - Chicago, 23rd April 1926
A5, A6 - New York, 26th June 1928
A7, A8 - New York, 30th June 1928
B1, B2 - New York, 12th September 1928
B3, B4 - New York, 18th September 1928
B5, B6 - New York, 25th September 1928
B7, B8 - New York, 29th April 1928
King Oliver - Hometown Blues album
- Performer: King Oliver
- Genre: Jazz
- Title: Hometown Blues
- Style: Dixieland
- MP3 version size: 1499 mb
- FLAC version size: 1537 mb
- Other: XM AU AIFF MP2 VOX VOC MOD
- Rating: 4.4
- Votes: 138
Description
Riverside Blues - King Oliver 1923 It is generally accepted among jazz connoiseurs that Joe "King" Oliver's Creole Jazz Band was the finest Black jazz band.
Home Town Blues, Irene Sruggs a saco con King Oliver.
The King & Mister Jelly Lord - Студийный альбом от Jelly Roll Morton, King Oliver. В альбом вошло 40 треков.
Performer(s): King Oliver & King Oliver Orchestra & C. Kemp Stingaree Blues Audio : Very Hq - CD Quality Sound - MP3 320 Kbps. Album : 123 King Oliver by King Oliver . Genre et sous style: Jazz.
Read about Hometown Blues from King Oliver's The King & Mister Jelly Lord and see the artwork, lyrics and similar artists. Joe "King" Oliver, (December 19, 1885 – April 8, 1938) was a bandleader and jazz musician. Joe "King" Oliver was born in Abend, Louisiana near Donaldsonville, and moved to New Orleans in his youth.
Real name alias of King Oliver. American songwriter, cornetist and bandleader. Born 1885, died 1938. Aliases: King Oliver. Variations: Viewing All Joe Oliver. King Oliver - Hometown Blues (LP, Comp). Rhapsody (2). RHA 6032.
King Oliver - Home Town Blues. Download MP3. King Oliver.
Free download and listen King Oliver Plays the Blues. Clarence Williams And His Orchestra, King Oliver, Sara Martin. Tracks count: 13. Views: 0. King Oliver, Sara Martin - Bone Orchard Blues 03:02. King Oliver, Sara Martin - Tree Top Tall Papa 02:29. King Oliver, Sara Martin - Western Union Blues 02:37.
KING OLIVER is a original new orleans jazz music artist.
King of the Delta Blues. Legend says this haunted young man sold his soul to the Devil in exchange for his extraordinary skills on guitar. Robert Johnson 's complex, polyrhythmic technique influenced every generation of guitarists that followed, and he wrote some enduring Blues classics. His own considerable songwriting skills and huge repertoire reflect this change, and his flatpicking guitar style and great voice made him a star of the Folk/Blues revival of the fifties. This bargain, re-mastered double CD has his finest album, 'Big Bill's Blues' plus three more collections, totalling 45 tracks, which show the breadth of the man's talent.
Tracklist Hide Credits
| A1 | –Butterbeans & Susie | Kiss Me SweetWritten By – S. LewisWritten-By – A. J. Piron* |
| A2 | –Butterbeans & Susie | Construction GangWritten-By – J. Edwards*, S. Edwards* |
| A3 | –Irene Scruggs | Hometown BluesWritten-By – I. Scruggs* |
| A4 | –Irene Scruggs | Sorrow Valley BluesWritten-By – I. Scruggs* |
| A5 | –Elizabeth Johnson | Empty Bed Blues Part OneWritten-By – J.C. Johnson |
| A6 | –Elizabeth Johnson | Empty Bed Blues Part TwoWritten-By – J.C. Johnson |
| A7 | –Lizzie Miles | You're Such A Cruel Papa To MeWritten By – Perrault, Piron, Williams |
| A8 | –Lizzie Miles | My Diff'rent Kind Of ManWritten By – J. Palmer |
| B1 | –Victoria Spivey | My Handy ManWritten-By – A. Razaf* |
| B2 | –Victoria Spivey | The Organ Grinder BluesWritten-By – C. Williams* |
| B3 | –Irene Gibbons & Clarence Williams Jazzband* | I'm Busy And You Can't Come InWritten-By – C. Williams* |
| B4 | –Irene Gibbons & Clarence Williams Jazzband* | JeannineWritten-By – L. Wolfe Gilbert* |
| B5 | –Clarence Williams & His Novelty Four* | In The Bottle BluesWritten-By – Williams*, Lang*, Oliver* |
| B6 | –Clarence Williams & His Novelty Four* | What Do You Want Me To DoWritten-By – C. Williams* |
| B7 | –Blind Willie Dunn's Gin Bottle Four* | Blue Blood BluesWritten-By – J.C. Johnson |
| B8 | –Blind Willie Dunn's Gin Bottle Four* | Jet Black Blues |
Companies, etc.
- Phonographic Copyright (p) – Rhapsody Records Ltd.
- Copyright (c) – Rhapsody Records Ltd.
- Marketed By – President Records Ltd.
Credits
- Banjo – Bud Scott (tracks: A3, A4)
- Celesta – Clarence Williams (tracks: B7)
- Clarinet – Omer Simeon (tracks: B3, B4)
- Cornet – Joe Oliver (tracks: A3 to A8, B1 to B8)
- Drums – Paul Barbarin (tracks: A3, A4)
- Effects – Justin Ring (tracks: B5, B6)
- Guitar – Eddie Lang (tracks: B1, B2, B7, B8), Lonnie Johnson (tracks: B7, B8)
- Percussion – Hoagy Carmichael (tracks: B7, B8)
- Piano – Clarence Williams (tracks: A1, A2, A5 to A8, B1 to B6), J.C. Johnson (tracks: B7, B8), Luis Russell (tracks: A3, A4)
- Saxophone – Billy Paige (tracks: A3, A4)
- Saxophone, Clarinet – Albert Nicholas (tracks: A3, A4)
- Saxophone, Flute – Alberto Socarras (tracks: A7, A8)
- Trombone – Ed Cuffee (tracks: B1, B2), Kid Ory (tracks: A3, A4)
- Violin – Eddie Lang (tracks: B5, B6)
- Vocals – Butterbeans & Susie (tracks: A1, A2), Clarence Williams (tracks: B5, B6), Elizabeth Johnson (tracks: A5, A6), Eva Taylor (tracks: B3,. B4), Irene Scruggs (tracks: A3, A4), Lizzie Miles (tracks: A7, A8), Victoria Spivey (tracks: B1, B2)
Notes
This album features King Oliver as an accompanist to some of the great blues singers, but he does more than just fill in.Session Details:
A1, A2 - New York, 15th September 1924
A3, A4 - Chicago, 23rd April 1926
A5, A6 - New York, 26th June 1928
A7, A8 - New York, 30th June 1928
B1, B2 - New York, 12th September 1928
B3, B4 - New York, 18th September 1928
B5, B6 - New York, 25th September 1928
B7, B8 - New York, 29th April 1928
Barcode and Other Identifiers
- Matrix / Runout: RHA-6032-A SW
- Matrix / Runout: RHA-6032-B SW
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