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Abraxas is the second studio album by Latin rock band Santana. It was released on September 23, 1970 by Columbia Records. The title of the album originates from a line in Hermann Hesse's book Demian, quoted on the album's back cover: "We stood before it and began to freeze inside from the exertion.

SANTANA ABRAXAS На этот раз сочетание африканских и латинских ритмов с рок музыкой западного побережья вышло очень эффектным. SANTANA Abraxas 1970. Jan. 10th, 2018 at 5:48 PM. antt trax. На этот раз сочетание африканских и латинских ритмов с рок музыкой западного побережья вышло очень эффектным. Это второй альбом Santana, записанный в апреле и выпущенный в сентябре 1970 года, который вобрал в себя влияния рока, блюза, джаза, сальсы, стал образцом, характерным для раннего звучания Santana, и показал музыкальное развитие группы с момента выхода её первого альбома.

Difficulty: advanced. Incident At Neshabur (Alberto Gianquinto, Carlos Santana). Intro (Where the Guitar comes in) (00:19) -. 5-3

This article is about the 1970 album by Santana. For the 2013 album by Shanir Ezra Blumenkranz composed by John Zorn, see Abraxas: Book of Angels Volume 19. Untitled. Abraxas is the second studio album by latin rock band Santana. Building upon the interest generated by their first album released in August 1969 entitled Santana and their highly acclaimed live performance at the Woodstock Festival in August 1969, the band released Abraxas in September 1970. It was released on September 23, 1970. Album cover from a painting by Mati Klarwein. Studio album by Santana. The album cover features the 1961 painting Annunciation by German-French painter Mati Klarwein. According to the artist, it was one of the first paintings he did after relocating to New York City. Carlos Santana reportedly noticed it in a magazine and asked that it be on the cover of the band's upcoming album Critical reception.

In the mid-'90s, an album as eclectic as Abraxas would be considered a marketing exec's worst nightmare. But at the dawn of the 1970s, this unorthodox mix of rock, jazz, salsa, and blues proved quite successful. Whether adding rock elements to salsa king Tito Puente's "Oye Como Va," embracing instrumental jazz-rock on "Incident at Neshabur" and "Samba Pa Ti," or tackling moody blues-rock on Fleetwood Mac's "Black Magic Woman," the band keeps things unpredictable yet cohesive