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There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them "mesostics," a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions.

Many but not all of the Norton Lectures have subsequently been published by the Harvard University Press. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published are not necessarily titles under which they were given. Charles Eliot Norton Lectures.

There have never been lectures like these: delivered at Harvard in 1988–89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. John Cage calls them mesostics, a literary form generated by chance (in this case computerized I-Ching chance) operations. Leonard Bernstein’s Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In the re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Shoenberg, and Stravinsky.

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century.

John Cage – Visual Art: To Sober and Quiet the Mind. San Francisco: Crown Point Press, 2000, hardback, 144 pages with 116 colour images. In Part II of the Q & A of the Norton Lectures (1988–89) Cage himself mentions at 5:05 min that Lou Harrison showed him the I Ching in San Francisco Public Library, but at that time he didn't have a use for it. (He mentions here seeing the 'chart of the 64 hexagrams', but this is not the 'Key for Identifying the Hexagrams' that inspired him from Wilhelm-Baynes, as such a chart doesn't exist in the Legge translation.

Videos, Podcasts and Lectures. January 25, 1970 – March 1, 1970. 411 West Colorado Boulevard Pasadena, California 91105. 6840 Map & Directions.

On John Cage’s Norton Lectures at Harvard. It wasn’t, perhaps, a very fine day to be at Harvard for the first of the six prestigious Charles Eliot Norton Lectures to be given in the current academic year by John Cage, America’s foremost avant-garde. well, shall we say, influence? Outside, as befits the middle of October in New England, the weather was grey and cold, with a fresh wind blowing. Inside, I found myself standing in gloomy Memorial Hall, waiting for the inner doors to open on Sanders Theatre, where Mr. Cage was t. . was an American composer, philosopher, poet, music theorist, artist, printmaker, and amateur mycologist and mushroom collector. A pioneer of chance music, electronic music and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He John Milton Cage Jr. was an American composer, philosopher, poet, music theorist, artist, printmaker, and amateur mycologist and mushroom collector