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Modern Sounds in Country and Western Music Volume Two is a 1962 album by Ray Charles. It is the second volume of country and western recordings by Charles following his landmark debut on ABC Records. Following the surprising success of Modern Sounds in Country and Western Music, an album of country music covers, which sold over a million copies, Charles and producer Sid Feller decided to do a follow-up.

Side 2 recorded Sept 7th, 1962 in Hollywood, California. Matrix, Runout (Side A Label): ABCS-435-A.

More than a half-century later, the premise of Ray Charles’ two-volume Modern Sounds in Country and Western Music-that is, an established R&B star makes a record of country hits-might yet inspire a spit take from the uninitiated. Alas, the uninitiated have long remained uninitiated, since these groundbreaking albums have been reissued infrequently since their 1962 release. Back then, he would tune into the Grand Ole Opry every Saturday night.

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Modern Sounds In Country And Western Music Volume Two. Ray Charles. Modern Sounds In Country And Western Music Volume Two Tracklist. 1. You Are My Sunshine Lyrics. 2. No Letter Today Lyrics.

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Two years into his contract with ABC-Paramount, he had already become a fixture in the Top Ten with both his singles and his albums, winning a Grammy for his 1960 single "Georgia on My Mind. Charles had freedom to do whatever he wanted, and he chose to record interpretations of 12 country songs, drawing almost equally from recent hits and older standards.

West went great lengths to ensure the album, which was inspired by minimalist Le Corbusier architecture, stayed simple. In fact, he was so committed that he sent the album to Rick Rubin days before its release to strip it down even further. There were also glimpses of West’s future sounds from Auto-Tune inflection (on The New Workout Plan and Graduation Day ) to ominous production (on Two Words ). The record’s core message of believing in yourself despite the haters remains universal, even if its skit-based narrative structure sounds a little outdated to modern ears. This line from the third verse of Gorgeous ranks among West’s very best, encapsulating his concerns with racial politics, his confrontational egoism, and his penchant for brilliant wordplay.