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Fagen's 2012 album and easily the liveliest solo album he's released since The Nightfly in 1982. Much of that is due to a pronounced emphasis on rhythm.

Morph the Cat wrapped up an alleged trilogy in 2006 - a trilogy that only became apparent when Donald Fagen's three solo albums were boxed in a set called The Nightfly Trilogy in 2007 - and Fagen then busied himself with live performances, something he avoided at the peak of his popularity in the '70s and '80s

Donald Fagen: ‘Sunken Condos’ on JAZZ. On his new album, older guys get lucky but then must live with their Faustian bargains-keeping women half their age entertained and satisfied while listening to them yammer about things that are alien and meaningless.

Sunken Condos Tracklist. 2. I'm Not The Same Without You Lyrics.

Sunken Condos is an album built on monotony that still has a sense of narrative. Much like Steely Dan’s unfairly maligned Gaucho locks the grooves of its hit predecessor, Aja, into a snide, sultry trance, Donald Fagen’s Sunken Condos sounds like his last solo outing, Morph the Cat, might after a visit to the hypnotist. The album has a relentless, almost devious smoothness to it. The drum and bass tracks are presumably performed by musicians, but have such undisturbed momentum that they might as well be mechanical; anonymously pentatonic horn and guitar riffs achieve a similar, barely tonal repetitiousness

It took Donald Fagen nearly a quarter century to release his Nightfly Trilogy, which started with 1982’s ‘The Nightfly’ and wrapped up with 2006’s ‘Morph the Ca. ‘Sunken Condos,’ the fourth solo album by the Steely Dan singer, is a slightly looser record than its predecessors, with more emphasis on groove this time around

For all Fagen's obsession with precision, this still feels like a remarkably relaxed, quietly confident album-sleek, urbane and sophisticated. 70. Simultaneously taut and lush jazz-funk-pop.

Donald Fagen: Sunken Condos. Yet I felt compelled to attend the New York Rock and Soul Revue starring Donald Fagen and Walter Becker in 1992. That was only the second show of the tour, but the half-dozen Steely Dan songs were played with an urgency that washed away my reservations. When Donald Fagen raised his melodica to cue the horn section during Josie and the musicians responded with a look of intense purpose, it struck me that I was witnessing an artist who had as much business leading a band as anyone. As with those releases, Sunken Condos boasts impressive musicianship. William Galison’s harmonica adds a touch of sweetness to the proceedings while Michael Leonhart’s vibes bring an eerie, otherworldly chill.