Face Dances este al nouălea album al trupei engleze de rock, The Who. A fost lansat inițial în 1981 în SUA de către Warner Bros. Records și de Polydor Records în Marea Britanie.

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Face Dances (1981) by The Who. Labels: MCA Records. Album (Studio full-length).

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Face Dances is the ninth studio album by the English rock band The Who. It was released in 1981 on Warner Bros. Records in the United States (it was the band's first release on that label) and on Polydor Records in the United Kingdom. It was one of two Who studio albums with drummer Kenney Jones, who joined the band after Keith Moon's death three years earlier.

The Who ‎– Face Dances. Format: Vinyl, LP, Album, Jacksonville Pressing. Mixed at Bayshore Recording Studios, Coconut Grove Florida. Portraits of The Who on the cover are drawn by 16 different artists. Came with 23" x 23" Poster. Records in the United States and on Polydor Records in the United Kingdom. Every song on this album, with the exception of "Daily Records", has been performed live by either The Who or one of its members' outside bands. On the band's 1981 tour supporting the album, five songs were performed live: "You Better You Bet", "Don't Let Go The Coat", "The Quiet One", "Did You Steal My Money", and "Another Tricky Day". However, only "You Better You Bet", "The Quiet One" and "Another Tricky Day" were played after the tour.

Nevertheless, if you judge the album solely by the music and the quality of its songs, there's a lot to like here. Daltrey is in superb voice throughhout the album, as is Townshend. And "You Better You Bet" is justly considered one of The Who's better songs. But above and beyond that, there are plenty of other reasons to love this album.

As an album, Face Dances is neither triumph nor failure. Like every Who LP from Quadrophenia on, it makes the most sense as Episode 442 in the band’s continuing story. On its own, it’s winsomely slight at best, bafflingly circumlocutory at worst. Like The Who by Numbers and Who Are You, Face Dances is another transitional record whose subject, once again, is transition