My Bloody Valentine - Loveless play album
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SME (от лица компании "ScreamLite Records"); Audiam (Publishing), AMRA, Sony ATV Publishing, BMI - Broadcast Music In. UBEM, LatinAutor - UMPG, UMPG Publishing, LatinAutor" и другие авторские общества (4).
ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet - saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams - gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde.
This is the last time that Frances appeared on the cover of a Miles Davis album. Everything was going wrong with the couple, and they painfully separated at the end of 1965. In terms of music, however, things couldn’t have been better. Since Wayne Shorter’s arrival, the five members of the quintet seemed to communicate by mental telepathy, inspiring the title . extra sensory perception). Original issue: Columbia LP CS 9150 on August 16, 1965 Producer: Irving Townsend Engineer: Unknown Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d) January 20, (tracks 1, 4); January 21 (tracks 2, 3); January 22 (tracks 5, 6, 7) 1965 Columbia Studios, Los Angeles.
Label: Columbia – CS 9150, Columbia – CL2350. Format: Vinyl, LP, Album, Stereo.
e s p miles davis album covers, e s p miles davis album art ESP is the first album by what is often referred to as Miles Davis's second great quintet, recorded in January 1965 The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the longest-lived of all Davis's groups. Unlike the majority of previous Davis albums, ESP consisted entirely of new compositions written by members of the group Despite the profusion of new material, only two of the tunes, "Agitation" and "RJ" are known to have appeared in the group's live performances, the latter only appearing in one extant recording "Agitation", by contrast, was still being performed as late as the.
Only for completionists (0%). MILES DAVIS Miles Davis Quintet: . Miles at time when it rushed into in the 1960's took shape to advocate the conversion from Be- Bop to Mode Jazz by "Kind Of Blue" of the album that oneself announced and to promote the concept further.
Recorded in January 1965, . is the first album by what is often referred to as Miles Davis's second great quintet. The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the most long-lived of all Davis's groups, and this was their first studio recording together. Unlike the majority of previous Davis albums, . consisted entirely of new compositions written by members of the group. Despite the profusion of new material, only two of the tunes, "Agitation" and ".
So Cool - Beginnings. In Paris Festival International De Jazz. Round About Midnight. 2019 Bonus Live Tracks. The Complete Birth Of Cool. In Person, Saturday Night At The Blackhawk, San Francisco, Volume II. Miles Davis. 2019 Remastered 2019. In Person, Friday Night At The Blackhawk, San Francisco, Volume I.
| 1 | E.S.P.Written-By – M. Davis*, W. Shorter* |
5:29 |
| 2 | Eighty-OneWritten-By – M. Davis*, R. Carter* |
6:14 |
| 3 | Little OneWritten-By – H. Hancock* |
7:21 |
| 4 | R.J.Written-By – R. Carter* |
3:56 |
| 5 | AgitationWritten-By – M. Davis* |
7:45 |
| 6 | IrisWritten-By – W. Shorter* |
8:31 |
| 7 | MoodWritten-By – R. Carter* |
8:49 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CS 9150 | Miles Davis | E.S.P. (LP, Album) | Columbia | CS 9150 | US | 1965 |
| CK 65683 | Miles Davis | E.S.P. (CD, Album, RE, RM) | Columbia, Legacy | CK 65683 | US | 1998 |
| PC 9150, CL 2350 | Miles Davis | E.S.P. (LP, Album) | Columbia, Columbia | PC 9150, CL 2350 | US | 1973 |
| SICP 826 | Miles Davis | E.S.P. (CD, Album) | Sony Records Int'l | SICP 826 | Japan | 2005 |
| CSCS 5148 | Miles Davis | E. S. P. (CD, Album, RE) | CBS/Sony | CSCS 5148 | Japan | 1990 |
| A1 | E.S.P. | 5:29 |
| A2 | Eighty-One | 6:14 |
| A3 | Little One | 7:21 |
| A4 | R.J. | 3:56 |
| B1 | Agitation | 7:45 |
| B2 | Iris | 8:31 |
| B3 | Mood | 8:49 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CS 9150 | Miles Davis | E.S.P. (LP, Album) | Columbia | CS 9150 | US | 1965 |
| CK 65683 | Miles Davis | E.S.P. (CD, Album, RE, RM) | Columbia, Legacy | CK 65683 | US | 1998 |
| PC 9150, CL 2350 | Miles Davis | E.S.P. (LP, Album) | Columbia, Columbia | PC 9150, CL 2350 | US | 1973 |
| SICP 826 | Miles Davis | E.S.P. (CD, Album) | Sony Records Int'l | SICP 826 | Japan | 2005 |
| CSCS 5148 | Miles Davis | E. S. P. (CD, Album, RE) | CBS/Sony | CSCS 5148 | Japan | 1990 |
| A1 | E.S.P.Written-By – M. Davis*, W. Shorter* |
5:27 |
| A2 | Eighty-OneWritten-By – M. Davis*, R. Carter* |
6:11 |
| A3 | Little OneWritten-By – H. Hancock* |
7:21 |
| A4 | R.J.Written-By – R. Carter* |
3:56 |
| B1 | AgitationWritten-By – M. Davis* |
7:46 |
| B2 | IrisWritten-By – W. Shorter* |
8:29 |
| B3 | MoodWritten-By – R. Carter* |
8:50 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CS 9150 | Miles Davis | E.S.P. (LP, Album) | Columbia | CS 9150 | US | 1965 |
| CK 65683 | Miles Davis | E.S.P. (CD, Album, RE, RM) | Columbia, Legacy | CK 65683 | US | 1998 |
| PC 9150, CL 2350 | Miles Davis | E.S.P. (LP, Album) | Columbia, Columbia | PC 9150, CL 2350 | US | 1973 |
| SICP 826 | Miles Davis | E.S.P. (CD, Album) | Sony Records Int'l | SICP 826 | Japan | 2005 |
| CSCS 5148 | Miles Davis | E. S. P. (CD, Album, RE) | CBS/Sony | CSCS 5148 | Japan | 1990 |
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