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1 2 3 4 5. Ray Charles. Ray Charles - What Would I Do Without You. 02:35. Ray Charles - Yes Indeed. dl. Ray Charles - Get on the Right Track Baby. Tennessee Ernie Ford, The Jacks, Al Hibbler. Atlantic Rhythm & Blues 1947-1974. Ray Charles, Booker T. & The . Ray Charles, Nelson, Billie Holiday.

Artist: The Statesmen Quartet. Album: The Gospel Gems. Download The Statesmen Quartet - O, Yes Indeed. The Gospel Gems: Best 2 songs. The Statesmen Quartet - I Thank My God 02:41.

Ray Charles, Yes Indeed!! is also the title of the book and DVD tribute published in memory of Charles by his manager Joe Adams, The Ray Charles Marketing Group and Genesis Publications in 2009. Yes Indeed!! Studio album by. September 11, 1952 - February 20, 1958 in New York City and Atlanta.

Yes, Indeed! The Rebecca Kilgore Quartet.

Yes Indeed!! is the third album by Ray Charles, released in 1958 by Atlantic. It was the second of three Atlantic LPs that compiled Charles' hit singles for the label. Ray Charles, Yes Indeed!! is also the title of the book and DVD tribute published in memory of Charles by his manager Joe Adams, The Ray Charles Marketing Group and Genesis Publications in 2009. All songs written by Ray Charles except as indicated.

Now, brother Chowderhead,he got it in him, yes indeed Oh boy, you can say that again! He digs deep in the middle, yes indeed Oh, yes indeedy How he blows his top when, when he rips hallelula! Hallelula! Oh, dig it out on your horn there, brother Chowderhead Dig it for me. It comes out if it's in you, yes indeed Oh, yes indeed When you jump, for it's in you, yes indeed When that feeling's on you, you shout hallelula! When it hits you, you holla, yes indeed. This article is about the Ray Charles album. For other uses, see Yes Indeed (disambiguation). 1958 studio album by Ray Charles. Connie Kay (left) with the Modern Jazz Quartet at Schiphol Airport (1961). The Genius of Ray Charles. The Genius of Ray Charles is the sixth studio album by American recording artist Ray Charles, released in 1959 by Atlantic Records. The album eschewed the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements.