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Front_242 EBM IDM Electro Industrial 2003 Europe
Front 242 - Pulse album

Front 242 - Pulse album

  • Performer: Front 242
  • Genre: Electronic
  • Title: Pulse
  • Released: 2003
  • Style: EBM, IDM, Electro, Industrial
  • Country: Europe
  • MP3 version size: 1753 mb
  • FLAC version size: 1858 mb
  • Other: MP4 DTS ASF VOX VQF AA ADX
  • Rating: 4.8
  • Votes: 980
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Description

The first 5 tracks of Front 242's PULSE album (2004), creating a single and fantastic trance like song.

Pulse is the eighth studio album by Front 242, released on May 6, 2003 through Metropolis Records. It was the group's first full-length studio release in ten years since 1993's 05:22:09:12 Off, marking their largest gap between albums. In 2016, a restructured version of Pulse was released under the.

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Pulse is the eighth studio album by Front 242, released on May 6, 2003 through Metropolis Records. Unusually for Front 242, the album predominantly comprises a set of suites divided into sub-tracks.

p)2003 Art & Strategy, Front 242 - (c)2003 XIII Bis records. Packaging: standard jewel case with a clear tray. Rights Society: SACEM SDRM SACD SGDL.

Front 242 is a Belgian electronic music group that came into prominence during the 1980s. Front 242 were formed in 1981 in Aarschot, near Leuven, Belgium, by Daniel Bressanutti and Dirk Bergen, who wanted to create music and graphic design using emerging electronic tools. The first single, "Principles", was released in 1981

Pulse (Front 242 album). Pulse is a studio album by Front 242, released in 2003. It was the group's first studio album in 10 years, since 1993's 05:22:09:12 Off. Track listing.

The record begins with "SEQ666," a five-track suite of gritty, hi-res EBM instrumentals - slightly updated, with the help of Cubase,.

Pulse" is Front 242's first album in 10 years, but unlike many of the other great electronic giants of the 80's, they haven't lost a bit of what made them great. This album covers a hell of a lot of ground in its long running time, and while one could argue that it might be over-cluttered with short synth tweaking experiments, there's enough undeniably great material here that I have a hard time understanding the complaints. The strongest aspect of Pulse is its wonderful production.

This album has an average beat per minute of 124 BPM (slowest/fastest tempos: 92/183 BPM). See its BPM profile at the bottom of the page. Album starts at 134BPM, ends at 120BPM (-14), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Front 242.

Tracklist

1 SEQ666 (P) 4:01
2 SEQ666 (U) 1:13
3 SEQ666 (L) 1:20
4 SEQ666 (S) 0:50
5 SEQ666 (E) 5:09
6 Together 5:26
7 Triple X Girlfriend 3:44
8 No More No More 7:23
9 Beyond The Scale Of Comprehension 7:21
10 Song (Untitled) 3:57
11 Song (StarCandy) 2:40
12 One (With The Fire) 3:25
13 One (Reverse) 2:23
14 Matrix (OpenStatic) 2:24
15 Matrix (MegaHertz) 3:50
16 Never Lost (Faust) 3:41
17 Never Lost (Riley) 7:01
18 7Rain (Filter) 4:10
19 Pan (DHE) 1:56
20 Pan (MIHK) 3:06

Companies, etc.

  • Phonographic Copyright (p) – Art & Strategy
  • Copyright (c) – Metropolis Records
  • Mixed At – Art & Strategy Studio
  • Glass Mastered At – WEA Mfg. Olyphant – Z15128
  • Pressed By – WEA Mfg. Olyphant – Z15128

Credits

  • Graphics – Daniel B.
  • Performer – Daniel B., J-L De Meyer*, P Codenys*, R. Jonckheere*
  • Producer, Mixed By – Daniel B., Patrick Codenys

Notes

Produced and mixed at Art & Strategy.
Composed, recorded and mixed on Cubase and Nuendo from Steinberg.
Some of the tools used : Clavia Nordlead 2, NordModular, Ddrum4, Korg Z1, Lassence Ventury II, Roland System 100, Vdrum, JD990, Yamaha VL1, Sherman filterbank, Roland Rss, Line 6 Echo Pro, Ableton Live and Mac computers.

Made in the USA
℗ 2003 Art & Strategy / Front 242
© 2003 Metropolis Records

Barcode and Other Identifiers

  • Barcode: 782388028226
  • Matrix / Runout: wea mfg. OLYPHANT Z15128 4 MET 80282-2 02 M1S1
  • Mastering SID Code: IFPI L909
  • Mould SID Code (Variant 1): IFPI 2U7G
  • Mould SID Code (Variant 2): IFPI 2U8D

Other versions

Category Artist Title (Format) Label Category Country Year
REF6403392 242* Pulse ‎(CD, Album) XIII BIS Records REF6403392 Europe 2003
none Front 242 (Filtered) Pulse ‎(9xFile, MP3, Album, RM, 320) Alfa Matrix none Belgium 2016
REF6403392 242* Pulse ‎(CD, Album) Союз, XIII BIS Records REF6403392 Russia 2003
none Front 242 (Filtered) Pulse ‎(9xFile, AIFF, Album, RM) Alfa Matrix none Belgium 2016
REF6403392 242* Pulse ‎(CD, Album, Unofficial) XIII BIS Records REF6403392 Russia 2003

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Comments

Ieslyaenn Ieslyaenn
From what I've seen, people's opinions about this album are divided. Some love it, some hate it, and maybe some don't care either way. I love it. This album is amazing, from start to finish. Compared to their older releases, the production quality isn't as lofi, and it's a lot more solid. The arrangements and structure of tracks seem like they were meticulously planned. Maybe it was done with software, or maybe old analog synths. But, judging by the list of equipment on their site, I'd say it was some of both. My guess as to why long time 242 fans might not like this album is because it's not as heavy as their older releases. It's a bit more accessible to someone who isn't a huge fan of the Industrial/Electro-Industrial genres. It's more of an Electro/IDM release, although calling it IDM may be a bit of an understatement. Whether you're a long time 242 fan, or just discovering them for the first time, give this album a listen. It's definitely worth it!
Adrielmeena Adrielmeena
Definitely not a great release from the Belgian masters. First, it is just your average techno, second, the sound is quite flat. On the first point, track are flowing from beginning to end without any special interesting point, and a boring lack of individual personality, once the mark of 242's tracks, and on the second front, it sounds like it was produced on a laptop, and misses that big fat and original sound that made so many 242 tracks instant classics. Of course there's lot of sonic work here, and certainly clever arrangements, but as we say here, "La montagne accouche d'une souris" (the moutains give birth to a mouse). This album isn't "bad" in a taste or musical sense, but just an average trancey-electronic release and, IMO ;-), sadly uninteresting... I hope they will come back on more meaningfull things, and stop confusing modernity with techno-oriented sound.