Pierre Fournier, Wilhelm Backhaus .

25 €. Vinyl - Gatefold - original used - NM/NM - deutsche grammophon - 413 520-1 - France - Beethoven - The Sonatas for cello & piano - Pierre.

Sonata No. 1 In E Minor For 'Cello And Piano Opus 38. A1. Allegro Non Troppo.

BRAHMS: Cello Sonatas Pierre Fournier, cello Wilhelm Backhaus, piano. Sonata No. 1 in E Minor for Cello and Piano, Op. 38 I. Allegro non troppo II. Allegretto quasi minuetto III. Allegro. 2 in F Major for Cello and Piano, Op. 99 I. Allegro vivace II. Adagio affettuoso III. Allegro passionato IV. Allegro molto. London LL 1264 (mono) Recorded in May, 1955 Digital transfer by F. Reeder.

Album Information Brahms Cello Sonatas. Performer: Pierre Fournier (Cello), Wilhelm Backhaus (Piano) Period: Romantic Written: 1862-1865; Austria Composer: Johanness Brahms Total Length: 44 minutes. Track Information 1. Sonata for Cello and Piano no 1 in E minor, Op. 38 - Allegro non troppo - Allegretto quasi menuetto - Allegro 2. Sonata for Cello and Piano no 2 in F major, Op.

Wilhelm Backhaus ('Bachaus' on some record labels) (26 March 1884 – 5 July 1969) was a German pianist and pedagogue. He was particularly well known for his interpretations of Mozart, Beethoven, Schumann, Chopin and Brahms. He was also much admired as a chamber musician. Born in Leipzig, Backhaus was the son of a well-known architect. He began learning piano at the age of four with his mother, an amateur pianist.

Piano Sonata N. 4 in F sharp, O. 8 For Therese Piano Sonata N. 5 in G, O. 9 Piano Sonata N. 6 in E flat, O. 1a - Les adieux Piano Sonata N. 7 in E minor, O. 0. CD 8: Piano Sonata N. 8 in A, O. 01 Piano Sonata N. 9 in B flat, O. 06 - Hammerklavier. CD 10 : Diabelli Variations In C Major, O. 20. Wilhelm Backhaus – piano.

Around Brahms' Sonatas for Cello you may find a broad set of approaches. The No. 1 for instance has received from Piatigorski probably the most distinctive reading ever. But what it captures me from this couple is the artistic commitment and obvious rapport between both of these notable artists. On one hand the finesse and eloquent expressiveness of Pierre Fournier; on the other hand, the pulse and accurate phrasing of Wilhelm Backhaus.