Tracklist: 1. Backwater Blues, 2. This Train, 3. I Don’t Want No Woman (To Try To Be My Boss), 4. Martha, 5. Tell Me Who, 6. Bill Bailey, 7. Alberta, 8. Goin’ Down This Road, 9. Tell Me What Kind Of Man Jesus Is, 10. John Henry, 11. Glory Of Love.

Early Morning Relaxation Sunday Afternoon. Big Bill Broonzy Sings Folk Songs. Often ranked with such blues greats as Robert Johnson, Son House, and Elmore James, Big Bill Broonzy was for many years the last surviving practitioner of the "Delta" style of blues. This record, cut for Smithsonian Folkways in 1956, captures Broonzy late in his career but still during the peak of his power.

Matrix, Runout (Side A Label): FA 2328 A. Matrix, Runout (Side B Label): FA 2328 B. Other Versions (5 of 10) View All. Cat.

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Big Bill Broonzy was one of the leading figures in Chicago blues in the 1930s and 1940s but his career went into decline in the 1950s with the advent of the electric Chicago blues of Muddy Waters and others. The song choices and arrangements are inspired (not your standard blues by a long shot), the guitar playing is totally original and exciting, and the singing is full of soul without being overdone. The older stuff of Broonzy's I've heard doesn't do much for me, although his track on the recently released "Down in the Basement: Joe Bussard's Treasure Trove of Vintage 78s" is as good as anything on the Sings Folk Songs album. 13 people found this.

This album has an average beat per minute of 155 BPM (slowest/fastest tempos: 86/204 BPM). See its BPM profile at the bottom of the page. Tracklist Big Bill Broonzy Sings Folk Songs. BPM Profile Big Bill Broonzy Sings Folk Songs. Album starts at 86BPM, ends at 164BPM (+78), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Big Bill Broonzy.

All the great songs and lyrics from the "Big Bill Broonzy Sings Folk Songs" album ont he Web's largest and most authoritative lyrics resource. Big Bill Broonzy (June 26, 1903 – August 15, 1958) was a prolific American blues singer, songwriter and guitarist. His career began in the 1920s when he played country blues to mostly black audiences. Through the ‘30s and ‘40s he successfully navigated a transition in style to a more urban blues s. ore .

Cut in 1956, these tracks catch Broonzy in fine form near the end of his distinguished career. His powerful voice and guitar are showcased in a set which includes traditional blues, gospel, and folk songs all performed with undeniable authority. dazzles with rough-edged intricacy. The Boston Globe Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Cut in 1956, these tracks catch Broonzy in fine form near the end of his distinguished career. Broonzy moves with amazing ease from silky croon to brassy how. azzles with rough-edged intricacy.