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Joe Henderson - So Near, So Far (Musings For Miles) album

Joe Henderson - So Near, So Far (Musings For Miles) album

  • Performer: Joe Henderson
  • Genre: Jazz
  • Title: So Near, So Far (Musings For Miles)
  • Released: 1993
  • Style: Contemporary Jazz
  • Country: Canada
  • MP3 version size: 1605 mb
  • FLAC version size: 1147 mb
  • Other: DMF AA VOC MP1 AU AHX ADX
  • Rating: 4.1
  • Votes: 891

Description

So Near, So Far (Musings For Miles) - Joe Henderson. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.

So Near, So Far (Musings for Miles) is a 1993 album by jazz saxophonist Joe Henderson and is the second of five albums he recorded with Verve Records near the end of his career. The album is a tribute to trumpeter Miles Davis, who Henderson greatly admired and with whom he performed for only a few weekends in 1967. The songs were written by or associated with Davis, and the musicians on the album played with him earlier in their careers. All compositions by Miles Davis except where noted.

Joe Henderson's follow-up to his hugely successful Lush Life disc is another concept album, this time involving ten songs (including many lesser-known ones) associated with Miles Davis. Henderson only actually played with Davis for a few weekends around 1967 but he shows a great deal of understanding for this potentially difficult music. With particularly strong assistance from guitarist John Scofield, bassist Dave Holland and drummer Al Foster, Henderson revives such forgotten songs as "Teo," "Swing Spring" and "Side Car" in addition to coming up with fresh.

For the most part So Near, So Far (Musings for Miles) runs counter to the recordings we’ve come to know and expect from the work Henderson had done for Blue Note Records, where he set the standards for the jazz and avant garde movement that came on the scene during the early 60’s.

Album · 1991 · 10 Songs. More By Joe Henderson.

More albums from Joe Henderson: Lush Life: The Music Of Billy Strayhorn by Joe Henderson. Mode For Joe by Joe Henderson. The Elements by Joe Henderson. Four! by Joe Henderson. Straight, No Chaser by Joe Henderson. Black Narcissus by Joe Henderson. The Standard Joe by Joe Henderson.

Studio album by Joe Henderson. It is a tribute to trumpeter Miles Davis, who Henderson greatly admired and with whom he performed for only a few weekends in 1967. The songs were all written by or associated with Davis, and the musicians all played with Davis at formative stages in their respective careers.

Ayrıca Joe Henderson şarkıcısına ait diğer albümleri de görebilirsiniz. In Pursuit Of Blackness/Black Is The Color Joe Henderson. So Near, So Far (Musings For Miles) Joe Henderson. Joe Henderson - Popüler Şarkıları. It Ain't Necessarily So Joe Henderson. Invitation Joe Henderson. Inner Urge Joe Henderson.

The album is a tribute to trumpeter Miles Davis, who Henderson greatly admired and with whom he performed for only a few weekends in 1967. So Near, So Far (Musings for Miles). Studio album by. Joe Henderson. Yanow, Scott (2011). Retrieved 17 July 2011. "Billboard Jazz Albums, 8 May 1993". EAC extraction logfile from 3. February 2013, 12:01. Joe Henderson, So Near, So Far. Used drive : HL-DT-STBDDVDRW GBC-H20N Adapter: 1 ID: 0. Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No.

Tracklist Hide Credits

1 Miles Ahead
Adapted By, Arranged By [Rearranged For Quartet] – Don SicklerComposed By – Gil Evans, Miles Davis
4:31
2 Joshua
Composed By – Miles Davis, Victor Feldman
6:18
3 Pfrancing (No Blues)
Composed By – Miles Davis
8:18
4 Flamenco Sketches
Composed By – Miles Davis
9:37
5 Milestones
Composed By – Miles Davis
5:57
6 Teo
Composed By – Miles Davis
8:56
7 Swing Spring
Composed By – Miles Davis
8:10
8 Circle
Composed By – Miles Davis
6:07
9 Side Car
Composed By – Miles Davis
10:24
10 So Near, So Far
Composed By – Benny Green , Tony Crombie
4:30

Companies, etc.

  • Recorded At – Power Station
  • Mixed At – Effanel Music
  • Mastered At – Foothill Digital
  • Phonographic Copyright (p) – PolyGram Records, Inc.
  • Copyright (c) – PolyGram Records, Inc.
  • Made By – PMDC, Germany

Credits

  • Art Direction – George Patapow
  • Bass – Dave Holland
  • Co-producer – Joe Henderson
  • Coordinator [Production] – Camille Tominaro
  • Design – Lili Picou
  • Design [Photo] – Étsuko Iseki
  • Drums – Al Foster
  • Engineer – Jim Anderson
  • Engineer [Assistant] – Dann Wojnar*
  • Guitar – John Scofield
  • Liner Notes [Music Interviews] – Bill Milkowski
  • Mastered By – Allan Tucker
  • Mixed By [Assistant] – Ian Craigie
  • Mixed By [Digitally] – Jim Anderson
  • Photography By [Cover] – David Gahr
  • Photography By [Recording Session] – Susan Ragan
  • Producer – Don Sickler, Richard Seidel
  • Tenor Saxophone – Joe Henderson
  • Transcription By – Don Sickler

Notes

Includes 16 pages booklet.

Digitally recorded at Power Station, NYC, October 12-14, 1992.

John Scofield appears courtesy Blue Note Records, Inc.
Dave Holland appears courtesy ECM Records.

℗ 1993 PolyGram Records, Inc./ © 1993 PolyGram Records, Inc.

Barcode and Other Identifiers

  • Barcode (Text): 7 314-517674-2 5
  • Barcode (Scan): 0731451767425
  • Matrix / Runout: 517 674-2 01 >
  • Matrix / Runout: MADE IN GERMANY BY PMDC
  • Rights Society: B.I.E.M. STEMRA
  • Label Code: LC 0383
  • Price Code: POL 900

Other versions

Category Artist Title (Format) Label Category Country Year
314 517 674-2 Joe Henderson So Near, So Far (Musings For Miles) ‎(CD, Album) Verve Records 314 517 674-2 Canada 1993
517 674-4 Joe Henderson So Near, So Far (Musings For Miles) ‎(Cass, Album) Verve Records 517 674-4 UK & Europe 1993
314 517 674-2 Joe Henderson So Near, So Far (Musings For Miles) ‎(CD, Album, Club) Verve Records 314 517 674-2 US 1993
P4 17674 Joe Henderson So Near, So Far (Musings For Miles) ‎(Cass, Album) Verve Records P4 17674 US 1993
none Joe Henderson So Near, So Far (Musings For Miles) ‎(CD, Album, Promo) Verve Records none US 1993

Comments

Jox Jox
For the most part So Near, So Far (Musings for Miles) runs counter to the recordings we’ve come to know and expect from the work Henderson had done for Blue Note Records, where he set the standards for the jazz and avant garde movement that came on the scene during the early 60’s. It was during those formative years that Henderson projected the dynamics of intelligence, harmony, and sometimes discord, where he found himself standing at the proverbial crossroads of a musically polarized gene, bringing forth hard driving swing while pushing the boundaries of experimentation, yet keeping his ideals of balance ever-present. And while most listeners who are even remotely knowledgeable regarding jazz know his name, his work leaves most in the wind, as his improvisations where often blunt and harsh as he nearly created his own musical architecture that incorporated elements of swing and be-bop that were delivered in a sequence of notes and merging textural extremes that were almost stair-like in their nature ... sounds that didn’t so much draw people in, as his music closed a circle, keeping most out.Yet here, he steps out of the shadow of Davis, Coltrane, and others, finding himself no longer a sideman, and delivering what might well be his first bonafide commercial success, as his esthetics have been more closely monitored, never swinging too far from center, or climbing his mathematically challenging scale. For the most part So Near, So Far is a timeless recording where he’s able to keep himself away from the cliffs and crashing waves, allowing the listener into his world through a backdoor, because it’s not until his ten minute version of “Side Car” that his young ideas come swooping back, but by this juncture, one’s ready for them, as he’s eased us into his circle so carefully that both he and the listener have no where else to go than to ride with Henderson as glides through open harmonies and structural bliss, crackling like a fire, nearly consuming all ... yet finding a way to end the album on an accessible note, with the title song “So Near, So Far.”Review by Jenell Kesler