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Album · 2006 · 9 Songs. Laura Gibson) - Single. And Where Were You? (30 Days, 30 Songs) - Single. Let's Go! (Hydro Flask benefit for the National Park Foundation) - Single.

Recorded January - May 2006 Come by Storm recorded October, 2006. All songs recorded at Type Foundry Studios in Portland, OR and engineered by Adam Selzer, except cello, upright bass and guitar on The Longest Day and upright bass and guitar on Country, Country, wich were recorded by Dylan Magierek at Closer Recording Studios in San Francisco. Dylan Magierek helped in the musical creation of Nightwatch. Limited to 500 copies. 5 test pressing copies also exist.

Features Song Lyrics for Laura Gibson's If You Come To Greet Me album. The Longest Day Lyrics. Laura Gibson Lyrics provided by SongLyrics.

If You Come to Greet Me, 2010. If You Come to Greet Me, 2010.

Listen free to Laura Gibson – If You Come To Greet Me (This Is Not the End, Hands in Pockets and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Connect to this site.

If You Come to Greet Me. "Please retry". Wayne Miller filled out the troupe with tasteful, loping upright bass lines and Alex James (Delorean) stopped in to sing a few bars. If You Come to Greet Me demonstrates a rich tapestry of emotion over nine songs-hope, ennui, reflection, inspiration, loneliness, happiness, yearning-all stitched together with a steady songwriting hand, where imagery dovetails with melody in an irresistible way. Go Unlimited.

If You Come to Greet Me Album Cover Art. Laura Gibson.

This Is Not The End. If You Come to Greet Me. 03:15. Besteciler: Laura Gibson. 02. Hands In Pockets. 03:09.

Gibson's second album and first for the label (her 2004 debut, Amends, was self-released), If You Come to Greet Me is a textbook Hush release. Folk-based but not in the self-consciously "weird" tradition of the Devendra Banhart wing of the current folk-rock revival, these nine intimate songs are centered on Gibson's close-miked nylon-string guitar and warm, appealingly scratchy voice. The resulting combination of singer/songwriter directness and subtle but exquisitely detailed chamber pop arrangements gives If You Come to Greet Me greater musical depth than many similar neo-folk albums.