Dial 'M' for Motherfucker is an album by the New York City garage punk band Pussy Galore, released in 1989 by Caroline Records.

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Dial 'M' for Motherfucker is an album by the New York City garage punk band Pussy Galore, released in April 1989 by Caroline Records. The song Kicked Out is played in an Episode of House, "Games", when Gregory House plays it to annoy Wilson and induce a seizure in a patient. A music video for the song "Dick Johnson" was directed by Jim Spring and Jens Jurgensen. All lyrics written by Jon Spencer, except "Waxhead" by Kurt Wolf; all music composed by Pussy Galore.

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This album has an average beat per minute of 124 BPM (slowest/fastest tempos: 80/172 BPM). See its BPM profile at the bottom of the page. Tracklist Dial 'M' For Motherfucker. BPM Profile Dial 'M' For Motherfucker. Album starts at 133BPM, ends at BPM (-133), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Pussy Galore. Historia De La Musica Rock.

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Listen free to Pussy Galore – Dial 'M' for Motherfucker (Understand Me, SM 57 and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Pussy Galore was an American garage punk band from 1985 to 1990, formed in Washington, DC. Being young Jon Spencer's first band, Pussy Galore was reknowned for their sonic disharmony, capacity for sheer noise power, utter contempt for the local emocore and straight edge bands, and complete disregard for lyrical decency and musical songcraft. The band's earliest incarnation consisted of guitarist and vocalist Jon Spencer, guitarist Julie Cafritz and drummer John Hamill though this line-up would be subject to both change and expansion in later years.

Some of the other tracks fall into the filler category, but there are still more hits than misses. The end result is that Dial 'M' for Motherfucker sounds more like a blueprint for the Jon Spencer Blues Explosion than the PG of Corpse Love, the useful collection of their hard-to-find 1985-86 material.

The title - shortened to Dial 'M' on the packaging - is certainly an attention-getter, but this may just be one of Pussy Galore's more listenable, downright likable releases. The songs are more substantial and the production cleaner (if far from slick). The combination of loud guitars, rattle-trap percussion, and growled/shouted vocals hasn't really changed, but there's more depth to the din. Granted, PG were still kicking out the jams sans bass (kind of like Beat Happening's evil twin) - but the sound is fuller, less tinny.