Are We a Danger to Ourselves? Лицензиар. Believe Music (от лица компании "Specialist Subject"); The Royalty Network (Publishing).
Step Back Release 12. Are We A Danger To Ourselves? .
Album · 2012 · 12 Songs.
But I have one main issue with this record which I need to get out of the way early on: The album sounds too produced and too polished, whereas I had, mistakenly, assumed that it would be a grittier listen. This might seem petty but for a punk/rock band I tend to feel that having such a pristine sound sucks some of the life out of the music. With that out of the way and having adjusted my expectations, Are We A Danger To Ourselves? features a dozen tracks of melodic punk/rock that are blessed with some good arrangements and structures helping me to break away from thinking too much about the lack of an overall spark. It is these arrangements that perhaps mark out Above Them as being more of a rock band than a punk band, and cuts like "Temper Like A Hand Grenade," "Concrete Forgiveness" and "Two (Many) Nights in Paris" do prove that these guys can write some top quality songs.
The album is a joint release between Kiss Of Death (US), Specialist Subject (UK) and Yo-Yo Records (Germany). specialist subject records.
Something To Keep You Positive. 12. Are We A Danger To Ourselves? 4:25. Written by Above Them. Published by Bomber Music Ltd. Recorded, Mixed and Mastered by Paul Yeadon and Johnny Carter at The Moot Group, Nottingham, UK, summer 2011 - ww. ootgroup.
06 - On Form Like A Bad Year. 07 - Giving Up On Sorrow. 08 - Self Destructive. 09 - Two (Many) Nights In Paris. 10 - Something To Keep You Positive. 11 - Step Back Release. 12 - Are We A Danger To Ourselves. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50. Downloads.
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These people, however, would be missing the point entirely, as the band’s hard hitting, hook fuelled craft remains as powerful as ever. With a clearer production and a more impeccible sound, the songs here somehow retain a raw and stripped back feel, generated largely by the robust vocal performance and driving guitars
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