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FSOL - ISDN album

FSOL - ISDN album

  • Performer: FSOL
  • Genre: Electronic
  • Title: ISDN
  • Released: 1995
  • Style: Leftfield, IDM, Experimental, Ambient
  • Country: UK
  • MP3 version size: 1511 mb
  • FLAC version size: 1461 mb
  • Other: DTS AAC VQF FLAC MP4 WMA AU
  • Rating: 4.8
  • Votes: 756

Description

Just A Fuckin Idiot The Far Out Son Of Lung And The Ramblings Of A Madman Appendage Slider Smokin Japanese Babe You're Creeping Me Out Eyes Pop - Skin Explod.

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Third album from The Future Sound Of London, released in 1995. We have a very limited stock of this original cassette release. All tapes are unplayed but due to the age of these items some of the packaging may be slightly marked. SIDE A: 01 – Just A Fuckin Idiot. 02 – The Far Out Son Of Lung And The Ramblings Of A Madman.

FSOL Slider (ISDN 1994). Download FSOL – Slider (ISDN 1994).

Future Sound of London - ISDN (Full Album)emily. Il y a an. released 1994 1. just a fuckin idiot 0:00 2. the far out son of a lung and the ramblings of a madman 5:40 3. appendage 10:06 4. slider 12:33 5. smokin' japanese. The Future Sound Of London - Accelerator (Full Album)Music Othikai. Il y a 4 ans. Released: 1991 (this version 1992) Genre: Techno, Electronica, Ambient Length: 1:02:08 Label: Jumpin' & Pumpin' Producer: FSOL 0. xpander 00:00 02. The future sound of London live via ISDN - 1997 - Los Angeles USA - groove Radio - radio ripxfkgjslkdjfglqd  . and transferred via a sony HD mini disc MZ-RH1. I mixed out the break for news and joined the A&B sides. Thanks to the folks at the fsol. FSOL - Dead Cities Full Album 1996AUDIOPHILE MASTERPIECE. Dead Cities" is not an easy-to-earn album. The style is distinct and varied. From breakbeat, ambient to IDM, it can be said that it was the pinnacle of British. Future Sound of London - SliderRogueofmv. Il y a 10 ans. Album: ISDN Label: ic Brain Violence Track: 4. Proton radio - ondemand fsol mixStellardust.

ISDN Album Cover Art. FSOL.

Tracklist Hide Credits

1 Just A Fuckin Idiot 5:39
2 The Far Out Son Of Lung And The Ramblings Of A Madman
Bass [Bassballs] – Phillip Pin*
4:29
3 Appendage 2:25
4 Slider 7:22
5 Smokin Japanese Babe
Performer [Sample] – John Williams
4:59
6 You're Creeping Me Out 6:31
7 Eyes Pop - Skin Explodes - Everybody Dead 3:45
8 It's My Mind That Works 3:24
9 Dirty Shadows 6:15
10 Tired 6:31
11 Egypt 4:11
12 Kai
Performer [Sample] – John Williams
4:24
13 Amoeba
Performer [Sample] – John Williams
5:20
14 A Study Of Six Guitars 4:12
15 Snake Hips
Performer [Sample] – 23 Skidoo
5:51

Companies, etc.

  • Recorded At – Earthbeat Studios
  • Published By – Sony Music Publishing
  • Phonographic Copyright (p) – Virgin Records Ltd.
  • Copyright (c) – Virgin Records Ltd.
  • Glass Mastered At – EMI Uden
  • Pressed By – EMI Uden

Credits

  • Engineer – Yage
  • Written-By, Producer – The Future Sound Of London

Notes

Engineered for EBV
Recorded live at Earthbeat Studios London 1994 during various ISDN transmissions

[^^: Tracks 1, 4, 6, 8, 11] Live to Holland via VPRO Radio 9/9/94
[$$: Tracks 9, 14] Live to Europe via Radio 1 FM 14/5/94
[##: Tracks 3, 7, 10] Live to The Kitchen New York 3/11/94
[%] Guitar Textures sourced from Robert Fripp live with FSOL Radio 1 FM14/5/94
[✻: Tracks 5, 12, 13] John Williams - Acoustic Bassloops sourced from the album Cavatina - Put Through The Machines
[<>: Track 2] Bassballs-Far-Out Son Of Lung And The Ramblings Of A Madman - Phillip Pin
[+: Track 15] Contains Horn sample from Vegas El Bandito and additional percussion loop from Kundalini(23Skidoo)Used courtesy of Buddha Palm Music Ltd
Performed by 23 Skidoo under license from Ronin Records Ltd

[CD]
℗ 1994 Virgin Records Ltd
[✻: Tracks 5, 12, 13] ℗ 1995 Virgin Records Ltd
© 1994 Virgin Records Ltd
Made In Holland

[Rear]
Published by Sony Music Publishing
The copyright in this sound recording is owned by Virgin Records Ltd.
p 1994 Virgin Records Ltd
[✻: Tracks 5, 12, 13] p 1995 Virgin Records Ltd
c 1994 Virgin Records Ltd
This label copy is the subject of copyright protection.
All Rights Reserved.
c 1995 Virgin Records Ltd.

Printed in Holland
___

Issued in a standard jewel case including a 16-page booklet.

Barcode and Other Identifiers

  • Barcode (Printed): 7 24384 03872 4
  • Barcode (Scanned): 724384038724
  • Label Code: LC 3098
  • Matrix / Runout (Variant 1): 840387 2 @ 2 1-1-16-NL
  • Mould SID Code (Variant 1): IFPI 155D
  • Matrix / Runout (Variant 2): 840387 2 @ 2 1-1-27-NL
  • Mould SID Code (Variant 2): ifpi 15D2
  • Matrix / Runout (Variant 3): 840387 2 @ 2 1-1-10-NL
  • Mould SID Code (Variant 3): IFPI 1551
  • Matrix / Runout (Variant 4): 840387 2 @ 2 1-1-19-NL
  • Mould SID Code (Variant 4): IFPI 15AF
  • Matrix / Runout (Variant 5): 840387 2 @ 2 1-1-15-NL
  • Mould SID Code (Variant 5): IFPI 15AF
  • Matrix / Runout (Variant 6): 840387 2 @ 2 1-1-12-NL
  • Mould SID Code (Variant 6): ifpi 1531
  • Matrix / Runout (Variant 7): 840387 2 @ 2 010125
  • Mould SID Code (Variant 7): ifpi 15AD
  • Matrix / Runout (Variant 8): 840387 2 @ 2 1-1-7-NL
  • Mould SID Code (Variant 8): ifpi 1514
  • Matrix / Runout (Variant 9): 840387 2 @ 2 1-1-2-NL
  • Mould SID Code (Variant 9): none
  • Matrix / Runout (Variant 10): 840387 2 @ 2 1-1-17-NL
  • Mould SID Code (Variant 10): none
  • Matrix / Runout (Variant 11): 840387 2 @ 2 1-1-3-NL
  • Mould SID Code (Variant 11): ifpi 1515
  • Other (Category, UK:): CDVX 2755
  • Price Code (F:): PM 527
  • Rights Society: BIEM/STEMRA

Other versions

Category Artist Title (Format) Label Category Country Year
CDV 2755, 7243 8 40066 2 4 FSOL* ISDN ‎(CD, Album, Ltd, Cru) Virgin, Virgin CDV 2755, 7243 8 40066 2 4 UK 1994
none FSOL* ISDN ‎(15xFile, AAC, Album) Virgin none US Unknown
PMT011 FSOL* ISDN ‎(CD, Album, Unofficial) Not On Label (The Future Sound Of London) PMT011 Russia Unknown
TCVX 2755A/B FSOL* ISDN ‎(Cass, Album, Promo) Virgin TCVX 2755A/B UK 1995
CDVX 2755, 7243 8 40387 2 4 FSOL* ISDN ‎(CD, Album) Virgin, Virgin CDVX 2755, 7243 8 40387 2 4 UK & Europe 1995

Video

Comments

Danrad Danrad
ISDN, the cover is black and white, sparse yet clean and inviting, The music is as you would expect from FSOL, it is a journey between black and white, released as a collection of recordings made from their live 'ISDN' studio broadcasts it's hardly going to be like anything you ever heard before because you won't ever have! Well not back in 1995! Some of the tracks on here are far more cross over than other FSOL works I am thinking of Snake Hips & Smokin Japanese Babe in the first instance. I think overall it hangs together better than Dead Cites and Lifeforms but they are all very much their own albums the 'sister' album to this would be Tales of ephidrina which hangs closer to Lifeforms . 8/10 Well worth checking out!
Whiteseeker Whiteseeker
This is one album, that can be very dark, and it can create an atmosphere that (to me at least),usually comes from one continuous piece rather than 15 tracks,but taken in isolation, the cuts on here are well stuctured,nice interplay of individual instrumentation, and its good to chill to, maybe not their best, but not their worst,,,7/10 Tim99.
Steelraven Steelraven
It's one of those albums in which every track is a masterpiece, but, as said, its a real challenge to listen to. Kind of reminds me of Venetian Snares in its brooding and dark nature, except this music is much more slow paced, and this album is for the most part devoid of the normal breakbeat style. Not my favorite Future Sound of London release, that's for sure, but it's worth the money. Now, about that dark room idea...
Runeshaper Runeshaper
Probably the least accessible piece of music I've ever listened to in my entire life. Completely devoid of anything resembling hooks or catchy elements, this record is a right challenge to listen to, let alone like. The sheer darkness and aural pandemonium contained on this album is so disturbing and intricate that I still can't get my head around it. Still, I think there's some real dynamite between the lines here if the listener just has the patience to keep on listening long enough. Good luck.
Xor Xor
Possibly the most disturbed piece of work I have ever heard. I listened to this in its entirety in a darkened room. I don't think I ever fully recovered. I really don't like listening to this, it's very unnerving, it makes me paranoid and its just downright EVIL in places. A masterpiece, but a masterpiece I never want to hear again.