Who's Next viewed by many as the greatest testament to the so. .

Live at the Royal Albert Hall is a three-CD live album set by The Who, released in 2003. Discs one and two were recorded on 27 November 2000 and consist of John Entwistle, Roger Daltrey, Pete Townshend, Zak Starkey, and John "Rabbit" Bundrick performing a concert at the Royal Albert Hall for the Teenage Cancer Trust along with several guests. Disc three features four songs from The Who's last concert with John Entwistle, from 8 February 2002.

Who’s Next started life as a Pete Townshend concept entitled Lifehouse, which contained enough songs for a double album, but the project was eventually reduced to a single LP. Recordings for the album began in New York with Kit Lambert as producer, but the band weren’t satisfied with the results and returned to London to re-record them at Olympic Studios in Barnes with Glyn Johns. Most of the songs recorded with Johns appeared on Who’s Next while the leftovers appeared on singles and later, Odds & Sods (see album). Who’s Next became the only Who album to make in the UK charts.

Who's Next proves a terrific candidate for this deep-focus approach: in songwriter and chief strategist Pete Townshend, we're presented with one of the most thoughtful, articulate rock gods extant. His own capacity for self-analysis, as well as an underlying empathy for the band's original Mod fans, translated directly into the band's songs. Townshend's sense of daring had already yielded a more conspicuous rock landmark with Tommy, the "rock opera" that preceded what eventually emerged as Who's Next, which seemed comparatively straightforward, an album.

The Who’s Tommy Orchestral. The album, which was recorded in Budapest and Bethel in upstate New York, the scene of the first Woodstock festival 50 years ago, was produced by Roger and Keith Levenson and features the core band of Simon Townshend – Vocals, Guitar, Frank Simes – Guitar, Scott Devours – Drums, Jon Button – Bass, and Loren Gold – keyboards, all of whom have played with The Who live.

The cover photo for The Who’s Who’s Next album shows a photograph of the band apparently having just urinated on a large concrete piling protruding from a slag heap. The photo was taken at Easington Colliery a former coal mining town in County Durham, England. Easington Colliery is situated to the north of Horden, and a short distance to the east of Easington Village. It’s somewhat impossible to know exactly where this concrete monolith stood but most people agree that it was in the general area above the beach

Instead, the Who booked two shows, one at the University of Leeds for Feb. 14 and a second in Hull the next day, and would choose the songs from there. Unfortunately, there were technical problems with the Hull recording - John Entwistle’s bass was inaudible on the first six songs - and they were forced to use just the one concert. Thankfully, the tapes caught the Who at their absolute best. The original release clocked in at just under 38 minutes and featured only seven songs.

It contains a remastered version of the album along with Pete Townshend's original demos and live versions of the songs from 1969. Tommy is arguably their most famous album, but every single record by the original lineup of the Who is cherished by fans.

The Who recorded Who’s Next with assistance from recording engineer Glyn Johns. After producing the song Won’t Get Fooled Again in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album’s remaining songs.

Who's Next (1971) - The Who 22. Led Zeppelin II (1969) - Led Zeppelin 23. Songs In The Key Of Life (1976) - Stevie Wonder 24. The Joshua Tree (1987) - U2 25. Rumours (1977) - Fleetwood Mac 26. The Beatles (The White Album) (1968) - The Beatles 27. I Never Loved A Man the Way I Love You (1967) - Aretha Franklin 28. Modern Sounds in Country and Western Music (1962) - Ray Charles 2. Greatest Blues Albums, Greatest 'Live' Blues Albums, Greatest Jazz Albums, Greatest 'Live' Jazz Albums, Greatest Jazz Vocal Albums, Greatest Fusion Albums, Greatest Country Music Albums, Greatest Progressive Metal Albums, Greatest Rap/Hip-Hop Albums, Alternative Rap/Hip-Hop Albums, Underrated Rap/Hip-Hop Albums, Rap/Hip-Hop Albums of the 1990s.