Nat Baldwin of Dirty Projectors plays an unreleased track under a bridge in Hamilton. Video by Mitch Fillion for ww. outhernsouls.

In The Hollows - Nat Baldwin. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве.

64 USD. In The Hollows. The End Of The Night. A Good Day To Die. Protection Each record is protected within its record sleeve by a white vellum anti-dust sleeve. Packaging All items are shipped brand-new.

Album · 2014 · 9 Songs. Nat Baldwin’s work as bassist for The Dirty Projectors and as a contributor to recordings by Department of Eagles, Vampire Weekend, and other indie groups looking for a chamber pop sound has helped him focus his solo material. The quick sawing of a cello teases the vocal on Half My Life but provides a thrilling rhythm section on the phenomenal Knockout, where tension is palpable as the melody keeps things rolling along.

7. Release date: 05 May 2014. Whereas most of us would struggle with recording and touring in just one successful band, it seems that Dirty Projector’s bassist Nat Baldwin has other ideas as he releases his most cohesive collection of solo songs to date. His new nine-track album In The Hollows sees him further strike out on his own to explore original string compositions that go some way to bridge the gap between experimental and classical. Pizzicato is also embraced on The End of The Night for further foreboding with spine tingling effects.

Nat Baldwin - In The Hollows 05:36. Nat Baldwin - The End Of The Night 03:37. Nat Baldwin - Cosmos Pose 05:17. Nat Baldwin - Sharpshooter 06:10. Nat Baldwin - Bored To Death 04:55. Nat Baldwin - A Good Day To Die 05:10. Dome Branches: The MVP Demos - Nat Baldwin. People Changes - Nat Baldwin.

A5. Includes coupon for downloadable MP3s. Matrix, Runout: 116401E1/A. Matrix, Runout: 116401E2/B.

Nat Baldwin's third album In The Hollows boasts a consistent and captivating quality that is almost as mesmerising as his live shows. If you've never seen Baldwin in concert then try and catch him next time he's in your city. There is something otherworldly about the combination of his double bass's powerful depth and the fragility of his voice, akin to the soulful delicacy of Nick Drake or Anthony Hegarty. There are also recognisable vocal parallels between Nat Baldwin and his parent group Dirty Projectors. Yet, for some listeners, Baldwin's approach could be considered rather one-dimensional. A touch of diversity in the production might satisfy those looking for another 'Stillness is the Move' but Baldwin isn't necessarily trying to please the masses. The foggy linearity of these nine tracks is perhaps the album's foremost quality.

It's nights like these when I wonder if Nat Baldwin is thinking and feeling very similar things. There could be a cough in the night or a strange sound heard in the basement, or a raccoon chasing another one from the pine tree by the window, down onto the roof and over to the pine tree on the other side. There could simply be the sounds that we let get into ourselves - the ones that are telling us we're doing alright or we're doing things all fucking wrong