Jimmy Smith – House Party Blue Note BLP 4002 Vinyl, LP, Album, Mono US 1958. Morgan bandies about with Smith and Brooks behind the flowing support of the amended rhythm section of Blakey and Burrell. Even at 16-plus minutes, the pace and timbre of the performance begs for more.

Biography by Mark Deming. A pioneer of soul-jazz who revolutionized the Hammond organ, turning it into one of the most incisive, dynamic jazz instruments of its time.

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Complete your Jimmy Smith collection. House Party ‎(LP, Album, Mono, RE). Blue Note. Just Friends ‎(LP, Album, RE).

House Party is the fourteenth album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and 1958 and released on the Blue Note label. The album was rereleased on CD with one bonus track. Bonus track on 1985 CD reissue.

House Party is an album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and 1958 and released on the Blue Note label.

Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk, compiling all the recordings from the session. Open House" (Jimmy Smith) – 16:15. Old Folks" (Willard Robison, Dedette Lee Hill) – 4:49.

Jimmy Smith, House Party. Welcome to My Blog! Icerbox.

The Sermon! Jimmy Smith. Love Is a Many Splendored Thing. It's All Right With Me. Jimmy Smith. At The Club Baby Grand. Remastered Hits Vol, 3. 2019 All Tracks Remastered. A Complete Date With Jimmy Smith! Jimmy Smith. A New Sound, A New Star. 2015 Remastered 2015. Best Friends Forever. 2016 Smooth Jazz Party. Somebody Loves Me. 2016 сингл 16 Instrumental Jazz Versions Performed By

Jimmy Smith (1925–2005) was a jazz musician whose instrument was the Hammond B-3 electric organ. Born James Oscar Smith on 8th December 1925 in Norristown, Pennsylvania, USA. Smith was influenced by both gospel and blues. He first achieved prominence in the 1950s where his recordings became popular on jukeboxes before there were commonly used terms to describe his unique musical flavor. In the sixties and seventies he helped create the jazz style known as soul jazz. Smith employed a unique technique to emulate a string bass player on the organ.

Like his previous album, House Party, released in 1958, The Sermon! was engineered and recorded by tudio boffin Rudy Van Gelder, who supervised most of Blue Note’s studio endeavours – though, in an unusual move, the album wasn’t recorded at Van Gelder’s own studio, which at this time was the front room in his parents’ home in New Jersey. Six decades since The Sermon! was first released, it remains a go-to album in Jimmy Smith’s canon. Though it lacks the flamboyant, show-stopping organ pyrotechnics that characterised some of the Hammond maestro’s earlier work, the album demonstrates that James Oscar Smith was much more than a charismatic soloist – here he proved he was a sensitive musician who served the music rather than his own ego.