The original 1984 show, which inspired the one by Lloyd Webber first staged in 1986.

Phantom Duel" - Thames News Report (1991) Reporter: Christopher Rainbow. A short news report on the two Phantoms (Lloyd-Webber's and Hill's) which played London in 1991/1992. Features clips from the West End production, and an interview with Ken Hill.

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From the Baroque to the Romantic period, all the songs in The Phantom Of The Opera use music from various operas performed prior to the period in which the musical is set. Hill adapted renowned French author Gaston Leroux's melodramatic plot to the musical stage, writing original lyrics to arias by Verdi, Donizetti, Gounod, Mozart, Offenbach and Weber.

Phantom of the Opera is a 1976 musical with book and lyrics by Ken Hill. Hill wrote the original English lyrics to the music of Verdi, Gounod, Offenbach, Mozart, Weber, Donizetti, and Boito.

The musical The Phantom of the Opera by Ken Hill used famous arias combined with own fitting lyrics to tell its story. The love duet between Erik and Christine based on an aria from the opera The Pearl Fishers by Georges Bizet called La romance de Nadir. To every phan in the world just a fun fact, only Pharoga shippers exchange secret looks, nod to each other knowingly and smile in silence - Nadir was before Christine. While floating high above from the musical The Phantom of the Opera by Ken Hill. THE PHANTOM: While floating high above, I hear you speak my name.

There are various interpretations of why the old Raoul brings the monkey music box to her grave and some even think that all the old Raoul parts of the movie are completely useless. However, I'm one of those who believe that while the film would've worked perfectly well even without Raoul travelling anywhere with the music box, all the old Raoul clips are perhaps the most essential aspect of the entire film's basic point. I think they are the ultimate aspect that drastically differs the film from the stage play

Phantom of the Opera. A Musical Play based on the novel by Gaston Leroux : Book and Lyrics by Ken Hill; Arrangements and Incidental Music by Alasdair MacNeill. Gaston Leroux's classic tale of tragedy, grand opera, romance and horror has been masterfully adapted by Ken Hill, the author of Mummy's Tomb and The Curse of the Werewolf (also handled by Samuel French), into a musical play which preserves all of the excitement and passion of the much-loved original, underscored by a strong current of comedy as well.