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Wiener PhilharmonikerSir Charles Mackerras. The Cunning Little Vixen Suite: II. Andante.
Disc 9. Kát̕a Kabanová (conclusion) ; Sinfonietta ; Taras Bulba. Program notes in English, French and German, including synopses of the operas, inserted in container. Chor der Wiener Staatsoper ; Wiener Philharmoniker ; Sir Charles Mackerras, conductor ; vocal soloists: Elisabeth Söderstrom, Wieslav Ochman, Peter Dvorský, Eva Randová, Lucia Popp (Jenůfa); Lucia Popp, Eva Randová, Dalibor Jedlička (Cunning little vixen); Dalibor Jedička, Jiři Zahradniček, Ivo Židek, Václav Zitek (From the house of the dead); Elisabeth Söderstrom, Peter Dvorský, Beno Blachut (Věc Makropulos); Elisabeth Söderstrom, Peter Dvorský, Naděžda Kniplová (Kát̕a Kabanová).
Composed By – Leoš Janáček. Conductor – Sir Charles Mackerras. Engineer – James Lock (2) (tracks: 1 to 10). Orchestra – Wiener Philharmoniker. Producer – James Mallinson.
Janáček based The Cunning Little Vixen's tonality on modes (similarly to much output during his last decade), expanding the music's harmonic range through the utilisation of the seventh and ninth chords. The composition makes frequent use of folk-influenced rhythms and "sčasovka" (personally-coined term for a short motif), while it has been noted to contain At Janáček's request, the final scene from The Cunning Little Vixen was performed at his funeral in 1928. The Cunning Little Vixen. The Makropulos Affair. From the House of the Dead.
Czech Philharmonic Orchestra, Sir Charles Mackerras. Janáček: The Cunning Little Vixen Suite, Sinfonietta, Taras Bulba (Live). He then produced the opera's recent recording which obtained nominations in two categories for Grammy awards in 2001. Orchestral Suite from the Opera.
Performers: Sir Charles Mackerras - Condactor Wiener Philharmoniker Orchestra Leos Janacek (1854 - 1928) - Composer. Mackerras’s coupling comes as a superb supplement to his Janacek opera recordings with the Vienna Philharmonic. The massed brass of the Sinfonietta has tremendous bite and brilliance as well as characteristic Viennese ripeness, thanks to a spectacular digital recording. Taras Bulba too is given more weight and body than is usual, the often savage dance rhythms presented with great energy.
For decades, Mackerras' recording of Janacek's Taras Bulba and Sinfonietta has been deemed the best in the catalog, against which all others have been measured. The Vienna Philharmonic Orchestra (VPO), which knows as much of Janacek as they do of Bruckner, played the works with authority and with real feeling. The strings are of real bloom and weight, the woodwinds crispy, the brass blazen and glorious, and the percussion mesmerizing. This disc contains selections from Janacek's popular operas: Suite from "The Cunning Little Vixen", preludes to "Jenufa" (entitled "Jealously") and "From the House of the Dead", and Serebrier's Symphonic Synthesis of "Vec Makropulos. This second disc is as every bit enjoyable as the first disc containing Sinfonietta, Taras Bulba, and the Lachian Dances.
Sir Charles Mackerras Conducts Janáček. Sinfonietta, Taras Bulba (chester Berlin). Káťa Kabanová (Chorus of the Prague National Theatre & Czech Philharmonic Orchestra feat. conductor: Sir Charles Mackerras). Sinfonietta, Taras Bulba, Lachian Dances, Suite for Strings, Mládí, Capriccio for Piano, Concertino. Věc Makropulos (Wiener Philharmoniker feat. Sinfonietta, Lachian Dances, Taras Bulba.
Sir Charles Mackerras. Нравится слушателям: Herbert von Karajan, Wiener Philharmoniker, Alexis Weissenberg. Danielle de Niese, Orchestra Of The Age Of Enlightenment, Sir Charles Mackerras. Purcell: Ode on St. Cecilia's Day; The Married Beau. Janáček : The Cunning Little Vixen Suite, Sinfonietta, Taras Bulba, Czech PO, Mackerras. Sir Charles Mackerras, Czech Philharmonic Orchestra, Leoš Janá?ek. Sullivan-Mackerras: Pineapple Poll. Verdi-Mackerras: The Lady and the Fool. Sir Charles Mackerras/London Philharmonic Orchestra.
The Cunning Little Vixen (1924). The Makropulos Affair (1926). From the House of the Dead (1930). v. t. e. The Makropulos Affair (or The Makropoulos Case, or The Makropulos Secret or, literally, The Makropulos Thing; Czech Věc Makropulos) is a three-act opera by Czech composer Leoš Janáček. The libretto, based on a play of the same name by Karel Čapek, was written by the composer between 1923 and 1925. The Makropulos Affair was his penultimate opera and, like much of his later work, it was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself
| Jenufa - Opera In 3 Acts | ||
| 1-1 | Act 1 - PreludeOrchestra [Introduction] – Wiener Philharmoniker |
1:50 |
| 1-2 | Act 1 - Už Se Večer ChýlíVocals [Aria] – Elisabeth Söderström |
10:00 |
| 1-3 | Act 1 - Co To Robíš, Mládku?Vocals [Aria] – Elisabeth Söderström |
4:52 |
| 1-4 | Act 1 - Co Ty, JenůfoVocals [Aria] – Marie Mrázová |
2:22 |
| 1-5 | Act 1 - Duša Moja, Števo, ŠtevuškoVocals [Aria] – Elisabeth Söderström |
3:46 |
| 1-6 | Act 1 - A Tak Bychom Šli Celým ŽivotemVocals [Aria] – Elisabeth Söderström |
8:17 |
| 1-7 | Act 1 - Števo, Števo, Já VimVocals [Aria] – Peter Dvorský |
5:27 |
| 1-8 | Act 1 - Jak Rázem Všecko To Števkovo Vypínání SchlíploVocals [Aria] – Wiesław Ochman |
4:32 |
| 1-9 | Act 2 – PreludeOrchestra [Introduction] – Wiener Philharmoniker |
1:20 |
| 1-10 | Act 2 - Nechám Ještě Dveře OtevřenyVocals [Aria] – Elisabeth Söderström |
7:24 |
| 1-11 | Act 2 - Ba Zabedněná Ta Tvoje OkeničkaVocals [Aria] – Eva Randová |
2:11 |
| 1-12 | Act 2 - Tetko KostelničkoVocals [Aria] – Peter Dvorský |
9:04 |
| 1-13 | Act 2 - Ale Viděl Jsem Vcházet ŠohajeVocals [Aria] – Eva Randová |
3:21 |
| 2-1 | Act 2 - Co Chvíla ... Co ChvílaVocals [Aria] – Eva Randová |
3:48 |
| 2-2 | Act 2 - Mamičko, Mám Těžkou HlavuVocals [Aria] – Elisabeth Söderström |
8:44 |
| 2-3 | Act 2 - Kdo To Je?Vocals [Aria] – Elisabeth Söderström |
5:57 |
| 2-4 | Act 2 - Toť Zrovna Jde!Vocals [Aria] – Wiesław Ochman |
6:33 |
| 2-5 | Act 3 - Není Ti Teskno, Jenůfko?Vocals [Aria] – Elisabeth Söderström |
2:39 |
| 2-6 | Act 3 - Dej Bůh ŠtěstíVocals [Aria] – Elisabeth Söderström |
4:29 |
| 2-7 | Act 3 - Vidíš Laco, Já To TušilaVocals [Aria] – Wiesław Ochman |
3:52 |
| 2-8 | Act 3 - A Hen ... Už Jsou Tu!Vocals [Aria] – Wiesław Ochman |
2:52 |
| 2-9 | Act 3 - To Bylo Ňákeho...Vocals [Aria] – Dalibor Jedlička |
3:25 |
| 2-10 | Act 3 - Chuďátko!Vocals [Aria] – Věra Soukupová |
2:51 |
| 2-11 | Act 3 - Ještě Jsem Tu Já!Vocals [Aria] – Eva Randová |
3:04 |
| 2-12 | Act 3 - Vstaňte, Pěstounka Moja!Vocals [Aria] – Eva Randová |
4:19 |
| 2-13 | Act 3 - OdešliVocals [Aria] – Wiesław Ochman |
3:34 |
| 2-14 | Act 3 - Odešli - In Orchestration By K. KovařovicOrchestrated By – Karel KovařovicVocals [Aria] – Eva Randová |
3:29 |
| Žárlivost (Jealousy) | ||
| 2-15 | OvertureOrchestra – Wiener Philharmoniker |
5:37 |
| Příhody Lišky Bystroušky (The Cunning Little Vixen) - Opera In 3 Acts | ||
| 3-1 | PreludeOrchestra [Introduction] – Wiener Philharmoniker |
3:18 |
| 3-2 | Act 1 - Dostaneme BouřkuVocals [Aria] – Dalibor Jedlička |
1:22 |
| 3-3 | Act 1 - Kmotřenka Zakoncertovala Si Také?Vocals [Aria] – Miriam Ondrášková |
1:45 |
| 3-4 | Act 1 - Mami!Vocals [Aria] – Lucia Popp |
1:44 |
| 3-5 | Act 1 - PantomimeVocals [Aria] – Dalibor Jedlička |
3:06 |
| 3-6 | Act 1 - Proměna (Change Of Scene)Orchestra [Intermezzo] – Wiener Philharmoniker |
2:02 |
| 3-7 | Act 1 - To Čučíš Lapáku!?Vocals [Aria] – Dalibor Jedlička |
2:26 |
| 3-8 | Act 1 - Že Nevíš Co Máme?Vocals [Aria] – Zuzana Hudecová |
1:06 |
| 3-9 | Act 1 - PantomimeVocals [Aria] – Lucia Popp |
3:33 |
| 3-10 | Act 1 - Mělas Dělat Podlica Mné!Vocals [Aria] – Libuše Márová |
0:54 |
| 3-11 | Act 1 - Hled'te Sestry Jakého Máte Vůdce!Vocals [Aria] – Lucia Popp |
3:45 |
| 3-12 | Act 2 - Ach!Vocals [Aria] – Lucia Popp |
3:55 |
| 3-13 | Ano, Ve Stráni Bude Daleko LépeVocals [Aria] – Richard Novák |
3:58 |
| 3-14 | Act 2 - Domů? Pro Ten Šňupec Tvého SpaníVocals [Aria] – Dalibor Jedlička |
2:16 |
| 3-15 | Act 2 - Buďto Mám Těžiště Pohyblivé ...Vocals [Aria] – Vladimír Krejčík |
3:03 |
| 3-16 | Act 2 - Pomni, Abys Byl Dobrým Mužem!Vocals [Aria] – Richard Novák |
3:23 |
| 3-17 | Act 2 - Božinku, Ten Je Hezké!Vocals [Aria] – Lucia Popp |
2:36 |
| 3-18 | Act 2 - Kradla Jsem!Vocals [Aria] – Lucia Popp |
3:08 |
| 3-19 | Act 2 - Zlatohřbítek, Lišák S Kroužkovými PesikyVocals [Aria] – Eva Randová |
8:25 |
| 3-20 | Act 2 - Kdybyste Věděli, Co Já VidělaVocals [Aria] – Eva Zigmundová |
3:26 |
| 4-1 | Act 3 - Dež Sem Vandroval, Mozeka HrálaVocals [Aria] – Václav Zítek |
7:01 |
| 4-2 | Act 3 - Běží Liška K TáboruVocals [Aria] – Lucia Popp |
1:49 |
| 4-3 | Act 3 - Kolik Jsme Už Měli Dětí?Vocals [Aria] – Eva Randová |
2:25 |
| 4-4 | Act 3 - Nůšu Důle!Vocals [Aria] – Václav Zítek |
3:07 |
| 4-5 | Act 3 - A Kde Otec Pásek?Vocals [Aria] – Dalibor Jedlička |
3:39 |
| 4-6 | Act 3 - To Už Ne!Vocals [Aria] – Vladimír Krejčík |
4:59 |
| 4-7 | Act 3 - Neříkal Jsem To?Vocals [Aria] – Dalibor Jedlička |
4:50 |
| 4-8 | Act 3 - Hoj! Ale Není Tu Bystroušky!Vocals [Aria] – Dalibor Jedlička |
0:58 |
| 4-9 | Act 3 - Totok Nejsem JáVocals [Aria] – Peter Saray |
1:12 |
| The Cunning Little Vixen - Orchestral Suite | ||
| 4-10 | 1. AndanteOrchestra – Wiener Philharmoniker |
9:04 |
| 4-11 | 2. AndanteOrchestra – Wiener Philharmoniker |
10:01 |
| Z Mrtvého Domu (From The House Of The Dead) - Opera In 3 Acts | ||
| 5-1 | Act 1 - PreludeOrchestra [Introduction] – Wiener Philharmoniker |
5:31 |
| 5-2 | Act 1 - Přivedou Dnes Pána!Vocals [Aria] – Jiří Zahradníček |
4:15 |
| 5-3 | Act 1 - Jak Tě Nazývají?Vocals [Aria] – Antonín Švorc |
5:22 |
| 5-4 | Act 1 - Neuvidí Oko Již KrajůVocals [Aria] – Ivo Žídek |
4:56 |
| 5-5 | Act 1 - Aljejo, Podávej Nitku!Vocals [Aria] – Jiří Zahradníček |
7:06 |
| 5-6 | Act 2 - A... A... Milý, Milý Aljejo!Vocals [Aria] – Zdeněk Švehla |
4:16 |
| 5-7 | Act 2 - Alexandře Petroviči, Bude PrazdnikVocals [Aria] – Richard Novák |
7:52 |
| 5-8 | Act 2 - Přešel Den, Druhý, TřetíVocals [Aria] – Ivo Žídek |
2:52 |
| 5-9 | Act 2 - Dnes Bude Můj Posledni Den!Vocals [Aria] – Jaroslav Souček |
5:18 |
| 5-10 | Act 2 - Pantomima O Pěkné MlynářceVocals [Aria] – Jaroslav Souček |
4:52 |
| 5-11 | Act 2 - Pěkně Hráli, Co?Vocals [Aria] – Jaroslava Janská |
4:30 |
| 6-1 | Act 3 - Isaj, Prorok Boží!Vocals [Aria] – Jaroslava Janská |
7:13 |
| 6-2 | Act 3 - Má Děťátka MiláVocals [Aria] – Beno Blachut |
8:34 |
| 6-3 | Act 3 - A Já Byl, Bratříčku, Až Do Svatby Zpět!Vocals [Aria] – Václav Zítek |
5:40 |
| 6-4 | Act 3 - S Filkou Jste Se Opět Spřátelili?Vocals [Aria] – Zdeněk Švehla |
6:59 |
| 6-5 | Act 3 - Petroviči! Já Jsem Tě UrazilVocals [Aria] – Antonín Švorc |
5:14 |
| Věc Makropulos (The Makropulos Case) - Opera In 3 Acts | ||
| 6-6 | Act 1 - PreludeOrchestra [Introduction] – Wiener Philharmoniker |
5:30 |
| 6-7 | Act 1 - Ach Jé, Ach Bože!Vocals [Aria] – Vladimír Krejčík |
4:17 |
| 6-8 | Act 1 - Tati, Ta Marty Je OhromnáVocals [Aria] – Anna Czaková |
1:56 |
| 6-9 | Act 1 - Tady Prosím, Jenom RačteVocals [Aria] – Elisabeth Söderström |
11:37 |
| 6-10 | Act 1 - Konečně! ... Dobře, Gregore!Vocals [Aria] – Peter Dvorský |
5:53 |
| 6-11 | Act 1 - Emilie! ... Pro Tebe Nejsem EmilieVocals [Aria] – Peter Dvorský |
4:17 |
| 6-12 | Act 1 - Našli Jsme. Našli!Vocals [Aria] – Dalibor Jedlička |
2:49 |
| 7-1 | Act 2 - Viděli Ty Kytice?Vocals [Aria] – Ivana Mixová |
2:04 |
| 7-2 | Act 2 - Janku, Pojď Sem!Vocals [Aria] – Anna Czaková |
6:51 |
| 7-3 | Act 2 - Dovolte, Dovolte, ProsímVocals [Aria] – Elisabeth Söderström |
4:00 |
| 7-4 | Act 2 - Další. Kdo Mi Co Chce?Vocals [Aria] – Václav Zítek |
1:34 |
| 7-5 | Act 2 - Dovolte Mi Dříve OtázkuVocals [Aria] – Václav Zítek |
5:37 |
| 7-6 | Act 2 - Tos Ty, Bertiku?Vocals [Aria] – Peter Dvorský |
5:39 |
| 7-7 | Act 2 - To Jsi Ty, Bertiku?Vocals [Aria] – Elisabeth Söderström |
3:46 |
| 7-8 | Act 3 - Nu? Slyšíte?Vocals [Aria] – Václav Zítek |
5:23 |
| 7-9 | Act 3 - Buenos Días, Maxi!Vocals [Aria] – Elisabeth Söderström |
3:40 |
| 7-10 | Act 3 - Pečítko S IniciálkouVocals [Aria] – Peter Dvorský |
12:10 |
| 7-11 | Act 3 - Pro Lékaře!Vocals [Aria] – Dalibor Jedlička |
7:57 |
| Káťa Kabanová - Opera In 3 Acts | ||
| 8-1 | Act 1 - Zázrak!Vocals [Aria] – Zdeněk Švehla |
6:21 |
| 8-2 | Act 1 - Pojďme Mu Z Cesty!Vocals [Aria] – Zdeněk Švehla |
1:53 |
| 8-3 | Act 1 - Proč Bych Neodpověděl?Vocals [Aria] – Peter Dvorský |
2:13 |
| 8-4 | Act 1 - Copak Je?Vocals [Aria] – Zdeněk Švehla |
3:13 |
| 8-5 | Act 1 - Chceš-li Matky PoslechnoutVocals [Aria] – Elisabeth Söderström |
3:13 |
| 8-6 | Act 1 - Tak Vidíš, Pořád Jen Pro Ni!Vocals [Aria] – Vladimír Krejčík |
1:29 |
| 8-7 | Act 1 - Interlude IOrchestra [Intermezzo] – Wiener Philharmoniker |
1:00 |
| 8-8 | Act 1 - Víš, Co Mi Napadlo?Vocals [Aria] – Elisabeth Söderström |
11:20 |
| 8-9 | Act 1 - Nu Což?Vocals [Aria] – Libuše Márová |
3:40 |
| 8-10 | Act 1 - Je Čas, TichoneVocals [Aria] – Naděžda Kniplová |
3:57 |
| 8-11 | Act 2 - Vida, Chvástala Jsi SeVocals [Aria] – Naděžda Kniplová |
4:10 |
| 8-12 | Act 2 - Vida! Neštěstí!Vocals [Aria] – Elisabeth Söderström |
4:19 |
| 8-13 | Act 2 - Nic ZvláštníhoVocals [Aria] – Dalibor Jedlička |
2:57 |
| 8-14 | Act 2 - Interlude IIOrchestra [Intermezzo] – Wiener Philharmoniker |
1:00 |
| 8-15 | Act 2 - Nikoho Tu Není!Vocals [Aria] – Zdeněk Švehla |
3:10 |
| 8-16 | Act 2 - Vida, Taky Si Vyšel Na Toulku!Vocals [Aria] – Zdeněk Švehla |
1:58 |
| 8-17 | Act 2 - Za Vodou, Za VodičkouVocals [Aria] – Libuše Márová |
1:47 |
| 8-18 | Act 2 - Jste To Vy, Kateřino Petrovno?Vocals [Aria] – Peter Dvorský |
6:30 |
| 8-19 | Act 2 - To Jste Si Vymyslily Pěknou Věc!Vocals [Aria] – Elisabeth Söderström |
5:42 |
| 9-1 | Act 3 - Krápe!Vocals [Aria] – Jaroslav Souček |
1:29 |
| 9-2 | Act 3 - Celého Mne To Pokropilo!Vocals [Aria] – Dalibor Jedlička |
2:40 |
| 9-3 | Act 3 - Pssst! Pssst! Zdá Se, Že Je To On!Vocals [Aria] – Libuše Márová |
1:13 |
| 9-4 | Act 3 - Ach, Varvaro!Vocals [Aria] – Libuše Márová |
3:07 |
| 9-5 | Act 3 - Ach, Glašo!Vocals [Aria] – Vladimír Krejčík |
2:01 |
| 9-6 | Act 3 - Vidět Se S NímVocals [Aria] – Elisabeth Söderström |
11:41 |
| 9-7 | Act 3 - Svedl Nás Bůh!Vocals [Aria] – Peter Dvorský |
5:17 |
| 9-8 | Act 3 - Ptáčci Přiletí Na MohyluVocals [Aria] – Jaroslav Souček |
3:15 |
| Sinfonietta For Large Orchestra ("Military") | ||
| 9-9 | 1. Allegretto - Allegro - MaestosoOrchestra – Wiener Philharmoniker |
2:22 |
| 9-10 | 2. Andante - Allegretto - Maestoso - Tempo I - AllegrettoOrchestra – Wiener Philharmoniker |
6:10 |
| 9-11 | 3. Moderato - Con Moto - Prestissimo - Tempo I - ModeratoOrchestra – Wiener Philharmoniker |
5:24 |
| 9-12 | 4. Allegretto - Adagio - Presto - Andante - Presto - PrestissimoOrchestra – Wiener Philharmoniker |
3:04 |
| 9-13 | 5. Andante Con Moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - AdagioOrchestra – Wiener Philharmoniker |
7:15 |
| Taras Bulba - Rhapsody For Orchestra | ||
| 9-14 | 1. The Death Of AndriOrchestra – Wiener Philharmoniker |
8:54 |
| 9-15 | 2. The Death Of OstapOrchestra – Wiener Philharmoniker |
5:30 |
| 9-16 | 3. The Prophecy And The Death Of Taras BulbaOrchestra – Wiener Philharmoniker |
9:09 |
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