Album · 2012 · 16 Songs. Lute solo: Veneziana. By Anonymous - Hermann Leeb.

15TH-16TH CENTURY POSITIVE ORGAN Gilles Binch. 16TH CENTURY GREAT IBERIAN POSITIVE ORGAN Francisco Hernández Palero (16th cent.

aka: "French And English Songs (16th and 17th Centuries)" per rear slick. Matrix, Runout (Side A matrix): XTV 14483-1C. Matrix, Runout (Side B matrix): XTV 14890. Other Versions (1 of 1) View All. Cat.

Italian Songs (of the 16th and 17th Centuries) – Spanish Songs (of 16th Century). Italian Songs (16th and 17th Centuries) 1. Marco da Gagliano: Valli profonde 2. Perino Fiorentino: Lute solo: Fantasia 3. Girolamo Frescobaldi: Se l’aura spira Philippe Verdelot, arr. Willaert: 4. Fuggi, fuggi, cuor mio 5. Con lagrime e sospir 6. Anonymous: Lute solo: Veneziana 7. Giacomo Carissimi : Sventura, cuor mio 8. Antonio Scarlatti: Cara e dolce. Hugues Cuénod, tenor Hermann Leeb, lute Recorded c. 1950 Westminster WL 5059 or XWN 18654. French Troubadour Songs.

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Spanish Songs (16th Century). Performers: Hugues Cuénod (tenor), Hermann Leeb (lute). Recording site and date: Unknown ; Re. 1950 (wl), 1958 (xwn), 1963 (w). Excerpts: - Lys 213 Hugues Cuénod - Vol. 6: Des Troubadours à la Romance. .

The translations have been redacted from the monochrome copy. 24 Italian Songs and Arias of the Seventeenth and Eighteenth Centuries. I-Catalogue NumberI-Cat.

Part of the problem is the subtitle - the illustrations of the music were a large part of the worth of the book, and were eliminated in the Kindle version. It's quite dense at times, as he looks at explanations of musical references (. the words and phrases relating to musical notation), snippets from Shakespeare of how music featured in Elizabethan life, and listings of some songs that are referenced throughout. It's all very interesting.

This invaluable Rosicrucian resource includes explanations and exact reproductions of the original Rosicrucian symbols from the 16th and 17th centuries. To get the free app, enter your mobile phone number.