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Exile in Guyville is the debut album by American indie rock singer-songwriter Liz Phair. It was released in June 1993 to widespread critical and commercial success, and it was ranked at 327 by Rolling Stone in its 500 Greatest Albums of All Time list. As of July 2010, the album had sold 491,000 copies. The album is considered a landmark album that changed indie music entirely by paving the way for more female singer/songwriters like Fiona Apple and Cat Power.

Most prominent of these is that many of the songs were initially essayed on Liz Phair's homemade cassette Girlysound, which means that the songs are essentially the cream of the crop from an exceptionally talented songwriter.

Exile in Guyville is indie rocker Liz Phair’s debut studio album, released in June 1993 by Matador Records. The album, which Phair jokingly said was a response album to the Rolling Stones' Exile on Main S. mocks sexism and finds Phair singing about sex from a point of view that was previously explored only by male singers. The album won acclaim from critics, and is still considered by many critics to be one of the best albums of the ‘90s (and of all time). Exile in Guyville Q&A.

Since the release of Exile in Guyville, Liz Phair has continued to defy expectation and break barriers. She has released five albums, and is currently working on a new one with Ryan Adams. She has also composed music for television shows and received awards for that work. My feeling is that Phair had an album with 18 songs and wasn't sure how to sequence it so she referenced the Stones album to see how they handled a double album with so many songs. She used their album as a template if you will and instantly had a title: Phair being the female musician outcast in a city full of male musicians was, herself, the "Exile In Guyville. 11 people found this helpful.

By: Liz Phair (1993, Rock). More albums from Liz Phair: gg by Liz Phair. Liz Phair by Liz Phair. Funstyle by Liz Phair. Whip-Smart by Liz Phair. Somebody’s Miracle by Liz Phair. View all albums . Exile In Guyville. By: Liz Phair (1993, Rock).

Twenty-five years after her career-making album, Exile in Guyville, Liz Phair is still writing songs first and foremost for herself. She’s also working on a new album and a memoir, Horror Stories. Though she played guitar and wrote songs from childhood on, she’d never considered herself a performer, and when she went to college, she studied visual art, not music. Many songs on the Girly-Sound tapes were composed on an unamplified electric guitar in a tiny Lower East Side apartment during a junior year spent away from Oberlin while interning in New York City for visual artist Nancy Spero. They sound so personal because Phair literally was trying to keep her roommates from hearing her record them in her bedroom. Paradoxically, they are lyrically bold, stadium-­bombastic.

I knew the name Liz Phair in a rather unpleasant way, when I came across a video about the countdown of biggest sellouts in music, and I found Liz Phair had a spot in the video, where it described how Phair ditched her indie-rock roots to pop-rock in her self-titled album. Since then, I had a rather negative impression on her, since selling out to a wider audience by ditching your own roots is almost like a death sentence. Years after the album released, many singers/songwriters would try to replicate the emotional rawness of Exile In Guyville, revealing their vulnerability, such as Fiona Apple in her debut Tidal. Heck, there's even another codex of entering adulthood appeared in the 2010s pop music scene, namely Melodrama by Lorde.

All songs from the album "Exile In Guyville"). Made in the USA by WEA Mfg All Rights Reserved All Wrongs Reversed. Promo Copy - Not For Sale. Issued in a standard jewel case with rear insert only, black disc tray. Front of jewel case has 4"x4" sticker with press quotes.

Liz Phair Breaks Down 'Exile in Guyville' Track by Track. Lyrically, Phair presented a woman in love with who she was and was becoming, making her secret dialogues – and her internal ones – visible in a space where most often only white, cis-het men’s voices counted and endured. The results completely reoriented the independent-music scene. Her songs were full of inside observations that made clear she was keenly aware of how she was seen, that her ingress into this hallowed guy space transacted on her charming silence, her smile, her good looks, her mere obedience. I sing like a good canary, she offers. The woman Phair presents on Guyville is one with nothing to lose. She’s exhausted by the sexism that surrounds and mutes her ( I practice all my moves/I memorize their stupid rules, she sings on Help Me Mary ), though sexism is too concrete and facile a word for what she’s describing.