Composer: Igor Fyodorovich Stravinsky (17 June 1882 - 6 April 1971) Piano: Alexander Toradze Orchestra . After a very long absence, sonata form, or something very like it, has returned to Stravinsky's bag of tricks in this movement.

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Format: Vinyl, LP, Album.

Album: Igor Stravinsky Concerto For Piano And Wind, Bela Bartok Sonata For Two Pianos And Percussion. 1 & 3/Bartok Piano concerto No. 3, 1998 07:22.

Béla Bartók's Piano Concerto No. 2 in G major, Sz. 95, BB 101 (1930–31) is the second of three piano concerti, and is notorious for being one of the most difficult pieces in the repertoire. In approaching the composition, Bartók wanted the music to be more contrapuntal. He also wanted to simplify his music (like many of his contemporaries), but his use of counterpoint in this piece makes for an extremely complicated piece of music.

The Concerto for Piano and Wind Instruments was written by Igor Stravinsky in Paris in 1923–24. This work was revised in 1950. It was composed four years after the Symphonies of Wind Instruments, which he wrote upon his arrival in Paris after his stay in Switzerland. These two compositions are from Stravinsky's neoclassical period, and represent a departure from the composer's previous Russian style, in which he produced works such as The Rite of Spring.

Berliner Philharmoniker, Carl Seeman, Thomas Scherman, Игорь Фёдорович Стравинский - Concerto For Piano And Wind Instruments (1924), Second Movement: Largo - Più Mosso - Tempo Prima Attaca, Third Movement: Allegro 13:25. Album: Igor Stravinsky Concerto For Piano And Wind, Bela Bartok Sonata For Two Pianos And Percussion. Hazelrigg Brothers, Бела Барток - Evening in the Country Songs We Like, 2017 03:36.

For 2 Pianos, Percussion and Orchestra (Bartók). Sonata for Two Pianos and Percussion. Opus/Catalogue NumberOp. Béla Bartók, Ditta Pásztory-Bartók (pianos), Fritz Schiesser, Philipp Rühlig (percussion). Orchestra version: 1942-11-14 in London, Royal Albert Hall, Royal Philharmonic Society concert. Louis Kentner, Ilona Kaboswith (pianos), Ernest Gillegin, Frederick Bradshaw (percussion), London Philharmonic Orchestra, Sir Adrian Boult (conductor).

Bartok's Sonata for 2 pianos and percussion has not rivals all around the market. Its mercurial drive and energy are simply out of this world. The same may be said about Stravinsky: a tasteful and idiomatic recording. Finally we have Bartok's Sonata for two pianos; and once again Kontarsky brothers throw their hat to ring. I'm focusing only on Bartok's Sonata For 2 Pianos And Percussion. In the first two movements the mysteriousness is attractive, but the noisiness is not. Movement 3 is allegro, dissonant, and emotionally uninvolving. The Bartok sonata is a brilliant work, serving as the obvious "crowd pleaser" on this album - certainly this performance is the best attempt at this sonata that I've heard. The percussion and the pianos fit together very well indeed. A good recording (at least, in the pressing I got decades ago), and one that I often play, over and over.

Watch now Carl Seemann, Igor Stravinsky's video clip of album "Carl Seemann Plays Stravinsky".