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This record documents music made by two women - one American and one Korean - who have both made a profound impact within experimental music. Ellen Fullman’s Long String Instrument has been a long-term life-work of incredible ambition and dedication. The result is immediate, exciting and inspirational.

Concert producer: John Chantler. Recording Engineer: Maria W Horn. Mixed by Ellen Fullman and Thomas Dimuzio. Mastered by Andreas Lubich at Calyx, Berlin. Artwork by Bill Nace. Made possible in part by a Foundation for Contemporary Arts Grants to Artists (2015). The title, "The Air Around Her" is a quote from "Vermeer Interiors" a poem by Margaret Rabb, from her book, "Granite Dives"

The BBC artist page for Ellen Fullman. Find the best clips, watch programmes, catch up on the news, and read the latest Ellen Fullman interviews. She is known for her 70-foot (21-meter) Long String instrument, tuned in just intonation and played with rosin-coated fingers. The Air Around Her - Part II. Performer. Okkyung Lee. Last played on. Late Junction. The Air Around Her (excerpt).

Ellen Fullman & Okkyung Lee. The Air Around Her. 1703 Skivbolaget. Tue. 12/18/18 8:15pm βrian: The air around her parts? I should be wearing my glasses. 12/18/18 8:20pm northguineahills: Nah, she was never warm to me, but would still talk to me in b/tn shows. i guess we had mutual respect for some reason (I'm close to one of her close friends). 12/18/18 8:29pm northguineahills: Ok, leaving work (finally!).

Stunning work from Ellen Fullman & Okkyung Lee, with Fullman's famous long string instrument (26 metres this time) offset by Lee's quicker strokes, seeming to coruscate and bend in tingling ecstasies. John Chantler added an event. 15 January at 03:38 ·. FREE ENTRY. François J. Bonnet is a composer and the Head of the INA-GRM in Paris.

Two masters of very different string instruments, Ellen Fullman and Okkyung Lee, colour in ‘The Air Around Her’ with beguiling microtonal timbres at . In both parts, Ellen and Okkyung play with sound as light, conducting a tonal shadowplay of inherently vast scope and ambition that comes with any recordings of Ellen’s long string instrument, as it always requires a good deal of time and space to properly tune and set up.

Playing tracks by. Hanno Leichtmann, Ellen Fullman & Okkyung Lee, Fritz Hauser, Spontaneous Music Orchestra and JJerome Noetinger, Robert Piotrowicz & Anna Zaradny. concrete improvisation.