Black Sabbath - Vo. (1972).

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4 is the fourth studio album by English rock band Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal. In June 1972, Black Sabbath began work on their fourth album at the Record Plant studios in Los Angeles.

4 is the fourth studio album by Black Sabbath, released in September 1972. Snowblind was the album’s working title, but Vertigo Records executives were reluctant to release an album with such an obvious drug reference. It was the first album by Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band’s then-manager, was listed as co-producer, though his actual involvement in the album’s production was minimal. The following are the back CD images for the 1996 & 2009 releases respectively.

Black Sabbath (Black Sabbath Vol. 4 1972). по названию по исполнителю. Black Sabbath Vo. – Tomorrow s Dream. Black Sabbath Volume Four, 1972 – Under The Sun. 2:53. Black Sabbath - Vol. 4 (1972) – 08 Laguna Sunrise (instrumental). Black Sabbath - Vo. (1972) – 05 - Supernaut. Black Sabbath Volume Four, 1972 – Laguna Sunrise. Black Sabbath - Black Sabbath Vo. 72 Vertigo – . t. Black Sabbath - vol 4 – Laguna Sunrise. (remastered 2009) 1972 – Supernaut. Black Sabbath – Wheels Of Confusion, The Straightener Blac. :45.

4 is the point in Black Sabbath's career where the band's legendary drug consumption really starts to make itself felt. And it isn't just in the lyrics, most of which are about the blurry line between reality and illusion. Vol. 4 has all the messiness of a heavy metal Exile on Main S. and if it lacks that album's overall diversity, it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk

Black Sabbath Vol. 4 is Black Sabbath’s last album that features a mainly doomy feel, at least with their classic, and best, line-up. Volume 4 has a more polished sound and feel than its three predecessors, and it features some of their best songwriting. When you pop in the disc, and you hear the emotionally depressing beginning of Wheels of Confusion/The Straightener, you know that you’re in for a great, moody, and HEAVY experience.