Track: Smorgasboard Artist: Tomas Jirku, Robin Judge Album: Plusism Label: Onitor ‎ Cat onitor 17 Country: Germany Year: 2003.

Tomas Jirku's Immaterial looks to the near imperceptible for inspiration.

With experience performing around the globe and having made his mark on innumerable record labels, Tomas has been honing back in on techno, aiming to maximize the brain and body connection that deep techno can provide. His recent releases on Seattle's Innerflight, Berlin's Thoughtless, and Vancouver's Subspec record labels further prove that the Canadian producer has built a strong repertoire by not doing anything straightforward or ordinary. com, Bandcamp, SoundCloud.

Tomas Jirku: One Monkey (With Intellijel), Aftermath, Red Light и другие песни. Вся дискография, Радио, Концерты, рекомендации и похожие исполнители. мы улучшили вашПлейлист дня и другие умные плейлисты.

Tomas Jirku is on Mixcloud. Listen for free to their radio shows, DJ mix sets and Podcasts. Tomas started his career in the 'golden era' of minimal and glitch techno and helped to define the genres. His live performance at the inaugural Mutek festival in 2000 caught the ear of Force Inc who signed him shortly after, just eking-out Akufen to become the first Canadian on the label. In the era where vinyl still ruled, and digital downloads were just a twinkle in some corporation's eye, Tomas dropped albums on Traum, Klang Elektronik, Revolver, Audio. Since then, a decade and a half of producing has seen Jirku manipulate house on Arbutus Records; hip-hop with.

Tomas Jirku - Czechno - EP Tomas Jirku. urada Dinleyin: Apple Music.

The fact that Jirku's rhythms are less locked into techno and house's oft-4/4 groove and actually more in line with the versatile grooves of '70s funk differentiates the many variations of the same formula on Sequins from Force Inc's roster of already established glitch artists. It's a fairly engaging style, and it seems mighty fresh circa 2000, but the album becomes a bit of a dull listen about halfway through once the novelty of the inventive approach begins to wear thin, leaving the listener with the idea that Jirku seems a bit short on variety here.