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Patti Page (born Clara Ann Fowler on November 8, 1927 in Claremore, Oklahoma (some sources give Muskogee, Oklahoma), died January 1, 2013 Encinitas, California) is one of the best-known female singers in traditional pop music. She is the best-selling female artist of the 1950s and was among the first to cross over from country music to pop. Her recording career spans the years 1947 to 1981. Page continued to perform live up until her death at 85. She was billed as "The Singing Rage, Miss Patti Page".

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Ed Sheeran has dropped his new album, every song on which is a collaboration with a familiar name. Blur versus Oasis is a battle music fans will be waging for decades to come, but when it comes to debut albums, Oasis emerge as top dogs. Definitely Maybe was exciting, aggressive and loaded with attitude: a 22-year-old Liam Gallagher spits and snarls over the reverb-soaked guitars of Cigarettes & Alcohol, and soars on that falsetto for Live Forever. Stefani Germanotta’s debut album The Fame brought maximalist pop back to the forefront of the late-Noughties music scene, in an industry that was desperately lacking in pop divas. Lady Gaga already sounded famous and she acted famous – but that doesn’t mean her music couldn’t stand on its own.

Baby, come to me (Come to me) Let me put my arms around you This was meant to be And I'm oh so glad I found you Need you every day (Every day) Gotta have your love around me (I gotta have you) Baby, always stay 'Cause I can't go back to livin' without you Come to me (Let me. put my arms around you) Let me put my arms around you (Hey!)

Baby, Come to Me", a love ballad from Patti Austin's 1981 album Every Home Should Have One, was her duet with James Ingram. It was written by Rod Temperton (formerly of Heatwave). The song was released as a single in April 1982, peaking at on the Billboard Hot 100. Several months later, American soap opera General Hospital began to feature the song heavily as the love theme for character Luke Spencer. It was re-released in October and reached on the chart in February 1983.

Come Back to Me Mila Gray. A whorl in the glass distorts the picture, like a thumbprint smear over a lens. I’m halfway down the stairs, gathering my hair into a ponytail, thoughts a million miles away, when a blur outside the window pulls me up short. I take another step, the view clears, and when I realize what I’m seeing, who I’m seeing, my stomach plummets and the air leaves my lungs like a final exhalation. My arms fall slowly to my sides. If he gets back in the car and drives away, I’ll do anything. He takes a step down the driveway towards the house, and that’s when I know for certain that either Riley or Kit is dead. A scream, or maybe a sob, tries to struggle up my throat, but it’s blocked by a solid wave of nausea. I grab for the banister to stay upright. Who? Which one? My brother or my boyfriend? Oh God. Oh God.