Songs in album Astrud Gilberto - Astrud Gilberto Plus James Last Orchestra (1987).

Agua De Beber (Antonio Carlos Jobim, Vinicius De Moraes) Your love is rain my heart's the flower I need your love or I will die My very life is in your.

Слушайте Plus James Last And His Orchestra (Jazz Club) от Astrud Gilberto на Deezer. Благодаря потоковой трансляции музыки на Deezer вы можете слушать более 53 млн треков, создавать свои плейлисты и делиться любимыми песнями с друзьями.

Musician, Percussion – (Café) Edson Da Silva. Musician, Piano, Electric Piano, Piano – Steve Herrick. Musician, Trombone – David Sacks. Musician, Bass – Axel Schönlein, Benny Bendorff, Uwe Boiko. Musician, Bass Trombone – Björn Hängsel. Musician, Cello – Christoph Weiss (3), Joachim Kerwin, Michael Streif, Thomas Bruder. Musician, Drums – Terry Jenkins. Musician, Guitar – Peter Hesslein.

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Album · 1986 · 11 Songs. Astrud Gilberto & James Last and His Orchestra. 11 Songs, 42 Minutes. Released: 1 Jan 1986. 1986 Universal Music Domestic Pop, a division of Universal Music GmbH. More By Astrud Gilberto.

The Astrud Gilberto Album is the debut studio album by Astrud Gilberto. It was released via Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart. In 2017, NPR placed it at number 73 on the "150 Greatest Albums Made by Women" list. Astrud Gilberto – vocals. Antônio Carlos Jobim – vocals (on track 2), guitar (on track 2). João Gilberto – guitar. Joe Mondragon – double bass. Bud Shank – alto saxophone, flute. Stu Williamson – trumpet. Milt Bernhart – trombone.

Astrud Gilberto Plus James Last Orchestra. Italian album Released only in Italy and Japan. Gilberto Golden Japanese Album. LP, CD. Japanese album Released only in Japan. The Very Best of Astrud Gilberto. The Best of Astrud Gilberto. LP. Released in Netherlands. The Essential Astrud Gilberto. Released in the UK. 1985. The Best of Astrud Gilberto Vol. 2. Verve Records.

Astrud Gilberto with The James Last Orchestra" was something I simply had to have, being an Astrud completest. Personal taste aside, I wasn't sure a lush orchestral backdrop in the oil and cheese 80's would suit her sonic intimacy. Having devoured everything I could from Ms. Gilberto (thank god and Verve for the re-issues), little did I know this would be the last major release from her until "Jungle" in 2002, an almost homemade looking project, but a spectacular return to form