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It was recorded live during a 2005 performance at Fiddler’s Hearth pub in South Bend, Indiana. Below are three clips from the new CD. The Humours of Ballyloughlin/The Sporting Pitchfork. Kilty Town/Christmas Eve. The Rumour/Memories of Clare.

An Exciting Session with One of Ireland's Leading Traditional Fiddlers (1976). The High Part of the Road (1976). A Traditional Experience with Tommy Peoples: A Master Irish Traditional Fiddle Player (1976). Fiddler's Fancy: Fifty Irish Fiddle Tunes Collected and Performed by the Irish Fiddle Legend (1986). Traditional Irish Music Played on the Fiddle (released in 1993, but recorded in 1982). The Quiet Glen/An Gleann Ciuin (1998)  . Welcome Here Kind Stranger (1978; remastered on CD in 2009). The Quiet Glen/An Gleann Ciuin (1998)

Tommy Peoples turned his back on the record industry shortly after the release of this album fifteen years ago, issued to accompany his companion book of the same name, and recently re-released in CD format. It was not this album specifically which broke the back of Tommy's camel, but the accumulative effect of releasing a series of albums from the mid-1970s onwards on a variety of labels and seeing little in the way of financial return for his efforts

An Exciting Session with One of Ireland’s Leading Traditional Fiddlers’ Tommy Peoples – 1976. Paddy Glackin Doublin’ – 1979. Coleman not only had a huge influence on Irish music itself but being one of the 1st irish fiddlers to record he made popular many sets of tunes which are still played today. These would include Bonnie Kate and Jenny’s Chickens and ‘Crowleys 1 &2. The Enduring Magic’ – Michael Coleman.

Tommy Peoples was one of the absolute all-time giants of ITM. There are only 2 or 3 others I would put in the same league. I don’t even play the fiddle, but his style has had a bigger influence on my playing than anybody else: those explosive rolls, the effortless and natural way he had of slight melodic variation on each repeat, his penchant for playing familiar tunes in unusual keys. There are hundreds, maybe thousands, of great fiddlers who are technically brilliant, polished and note perfect, but whose style is arid, machine like, mathematical  . I was surprised by his wonderful playing when I finally found one of his LPs - he seemed more lillting and playful than John Doherty or the Brass Fiddlers. But then there’s about every kind of fiddler imaginable in Donegal.

An Exciting Session with One of Ireland's Leading Traditional Fiddlers. Comhaltas Ceoltoiri Eirann. A Traditional Experience. 1976? High Part of the Road. Anthology - various artists including Clancy O'Connell and Clancy, Tommy Peoples, Meave Donnelly, Gearóid Ó hAllmhuráin & Patrick Ourceau. No. The Independence Suite.

Fiddlers participating in a session at a pub in Ireland. In performance, a solo fiddler, or one or two with a group of other instrumentalists, is the norm, though twin fiddling is represented in some North American, Scandinavian, Scottish and Irish styles Orchestral violins, on the other. In Hungary, a three stringed viola variant with a flat bridge, called the kontra or háromhúros brácsa makes up part of a traditional rhythm section in Hungarian folk music. The flat bridge lets the musician play three-string chords.

Irish traditional musician. Noel Hill (musician).