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Michael Nyman - piano (track A1), percussion, (track B1) Nigel Shipway - percussion (track B1) Composed by Michael Nyman. From 1968 to 1976, Michael Nyman worked as a music critic for various magazines (Studio International, Time Out, Tempo, The New Stateman or The Spectator).

Michael Nyman's sweeping score to director Michael Winterbottom's film The Claim might contain the most mournful compositions of the composer's career. Nyman's most successful scores in the past have been those where he explored baroque minimalism, as seen in his film scores to many Peter Greenaway films, and those where he tackled strong emotions, as in his score to Jane Campion's The Piano

If: Michael Nyman, Henry Purcell. Michael Nyman, Iestyn Davies, Fretwork, Nicholas Parker. Astor Piazzolla, Carl Orff, Michael Nyman, Wim Mertens, Steel Wind, Kurt Weill. Chris Snelling, Michael Nyman.

The Claim (Music From the Motion Picture), 2003. The Claim (Music From the Motion Picture), 2003.

Concertos is the 31st album by Michael Nyman, released in 1997. It contains three concerti commissioned from Nyman, the Mazda-sponsored Double Concerto for Saxophone and Cello, featuring John Harle and Julian Lloyd Webber, the Harpsichord Concerto for Elisabeth Chojnacka, and the Concerto for Trombone and Orchestra for Christian Lindberg

Michael Nyman 01-01-2000. Toplam süre:49 min. 01. The Exchange. The Claim: Music From The Motion Picture. Besteciler: Michael Nyman. 02. The First Encounter. 03. The Hut. Michael Nyman. 05. The Recollection.

Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer of minimalist music, pianist, librettist and musicologist, known for numerous film scores (many written during his lengthy collaboration with the filmmaker Peter Greenaway), and his multi-platinum soundtrack album to Jane Campion's The Piano

THE CLAIM – Michael Nyman. I’m not really given to making lofty proclamations here, but this is one guaranteed to ruffle a few feathers: The Claim is Michael Nyman’s best score to date. I’m not talking best as in the complexity of the music, or the craftsmanship: rather, The Claim is Nyman’s first film score in the sense that it overflows with emotion. It’s lush, it sweeps, and it features one of the most attractive central themes the enigmatic Englishman has ever written.

The Essential Michael Nyman Band 1992. Michael Nyman Live 1994. The Kiss And Other Movements (Vinyl) 1985. Love Counts CD1 2005. And Do They Do - Zoo Caprices (Vinyl) 1999. After Extra Time 1996. War Work: Eight Songs With Film 2015. Greenaway Revisited 2005.