Slade : Return to Base,альбом, рецезия, трек-лист, mp3, тексты песен.

SLADE - Return To Base (1979). 13. Two Track Stereo - One Track Mind (bonus).

Return To Base ‎(LP, Album). Barn Records Ltd. NARB 003. UK. 1979. Return To Base ‎(CD, Album, Unofficial). Return To Base ‎(CD, Album, RE).

队列表 Glam Rock Slade Return to Base. Album Name Return to Base. 1. Wheels Ain't Coming Down. 2. Hold on to Your Hats.

Return to Base marks Slade's low ebb in terms of popularity and morale. The band's future prospects looked grim, at best, and this album did nothing to change that. Having said that, Return To Base is not half bad. It contains about five classic Slade numbers, and several throwaways. Still on Barn Records, where the band had floundered over the preceding couple of years, Return to Base attracted so little attention the band could've played naked in the middle of Piccadilly Circus and not been noticed.

On this page you can listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. Slade - Don't Waste Your Time (Back Seat Star) From the album Return To Base Album released in 1979. Slade - Sign Of The Times. Slade - Sign Of The Times Single from the album Return To Base Released in 1979. Slade - I'm a Rocker. Promo video for Slades cover of Chuck Berrys I'm a Rocker. Recorded in Portland Studios London. Slade - Nuts Bolts And Screws. Song recorded during the Return To Base's sessions in 1979. But you can also find it on We'll Bring the House Down(1981). Slade - My Baby's Got It.

Wheels Ain't Coming Down. Don't Waste Your Time (Back Seat Star). Nut Bolts and Screws. My Baby's Got It. I'm Mad. Lemme Love Into Ya. Ginny, Ginny.

Slade Promotional Photo 1986. Released: 21 March 1977. Label: Barn - - Return to Base. Released: 1 October 1979.

Return to Base is the eighth studio album by the British rock group Slade. It was released on 1 October 1979 by Barn Records, and did not enter any national album charts. At the time of the album's release, the band's success had waned and were receiving little fortune. Forced to play at small halls and clubs around the UK, the only income they were reliant on was Noddy Holder and Jim Lea's songwriting royalties.