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The music and video published in this channel is exclusively dedicated to divulgation purposes and not commercial. 26 Variations on La Folia di Spagna.
Fabian Müller 穆勒 法比安: La Folia Variations Version for large orchestra (2016) 佛利亞舞曲:交響樂版本 Premiere at the Swiss Music Night National Concert Hall i. .
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In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques.
Variations; For orchestra; Scores featuring the orchestra. List of compositions with the theme "La Folia". Perhaps the three trombone parts could just as easily be played on three tenor trombones.
La Folia was composed using the temporal tonality technique : every modulation on the pitch level is caused by a proportional alteration of the duration of the ostinato harmonic progression. Or, in other terms, every contraction or prolongation of metre in the progression and/or change of speed (notated with unchanged beat value throughout the piece) both result in a proportional change of pitch. The final choral texture is no exception : it is La Folia harmony constantly transfigured temporally, and, hence, pitch-wise.
La Folia variations provide lots of freedom too because there are no fixed numbers of variations to complete nor has there to be any structure between the variations. (4) Finally there is the interesting social phenomenon that the music had its roots in popular culture and developed into a stately court dance; from a fertility dance for the people into a courtly flirtation. 31 people found this helpful. I'll agree that you're going to hear largely the same thing over and over again, as each composer piles one variation onto another. And, from a larger perspective, these variations are concentrated in the Baroque era, with Bach trailing off into early Classical times. I suppose for a little more variety one could have tried to reach into other musical periods - Salieri's set of variations on the theme come to mind. Instead, the concentration on one era heightens the sense of repetition.
| A | "La Folia" Variations For OrchestraOrchestra – Jerusalem Symphony Orchestra |
17:55 |
Music For Woodwinds, Trombone, Piano & BassEnsemble [Instrumental] – Unknown ArtistSoloist, Trombone – Ray Parness |
(15:20) | |
| B1 | I. Con Moto E Sempre Giusto | |
| B2 | II. Molto Moderato | |
| B3 | III. Allegro Moderato | |
| B4 | Akdamoth Le'moed (Festival Prelude)Orchestra – Jerusalem Symphony Orchestra |
9:27 |
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