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» » Noam Sheriff - Gary Bertini - "La Folia", Variations For Orchestra / Music For Woodwinds, Trombone, Piano & Bass / Akdamoth Le'moed (Festival Prelude)
Noam Sheriff - Gary Bertini - "La Folia", Variations For Orchestra / Music For Woodwinds, Trombone, Piano & Bass / Akdamoth Le'moed (Festival Prelude) album

Noam Sheriff - Gary Bertini - "La Folia", Variations For Orchestra / Music For Woodwinds, Trombone, Piano & Bass / Akdamoth Le'moed (Festival Prelude) album

  • Performer: Noam Sheriff
  • Genre: Classical
  • Title: "La Folia", Variations For Orchestra / Music For Woodwinds, Trombone, Piano & Bass / Akdamoth Le'moed (Festival Prelude)
  • Released: 1986
  • Style: Modern, Neo-Romantic, Contemporary
  • MP3 version size: 1984 mb
  • FLAC version size: 1875 mb
  • Other: MP1 MP4 APE WAV TTA XM DXD
  • Rating: 4.5
  • Votes: 266

Description

Explore releases from the Jerusalem Records label. Discover what's missing in your discography and shop for Jerusalem Records releases.

The music and video published in this channel is exclusively dedicated to divulgation purposes and not commercial. 26 Variations on La Folia di Spagna.

Fabian Müller 穆勒 法比安: La Folia Variations Version for large orchestra (2016) 佛利亞舞曲:交響樂版本 Premiere at the Swiss Music Night National Concert Hall i. .

Бесплатная загрузка Variations On La Folia Variation 2 Mp3. У нас есть mp3 файлы готов слушать и скачивать. Чтобы начать загрузку вам нужно нажать на кнопка. Мы рекомендуем первую песню под названием Variations on La Folia Variation . p3.

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In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques.

Variations; For orchestra; Scores featuring the orchestra. List of compositions with the theme "La Folia". Perhaps the three trombone parts could just as easily be played on three tenor trombones.

La Folia was composed using the temporal tonality technique : every modulation on the pitch level is caused by a proportional alteration of the duration of the ostinato harmonic progression. Or, in other terms, every contraction or prolongation of metre in the progression and/or change of speed (notated with unchanged beat value throughout the piece) both result in a proportional change of pitch. The final choral texture is no exception : it is La Folia harmony constantly transfigured temporally, and, hence, pitch-wise.

La Folia variations provide lots of freedom too because there are no fixed numbers of variations to complete nor has there to be any structure between the variations. (4) Finally there is the interesting social phenomenon that the music had its roots in popular culture and developed into a stately court dance; from a fertility dance for the people into a courtly flirtation. 31 people found this helpful. I'll agree that you're going to hear largely the same thing over and over again, as each composer piles one variation onto another. And, from a larger perspective, these variations are concentrated in the Baroque era, with Bach trailing off into early Classical times. I suppose for a little more variety one could have tried to reach into other musical periods - Salieri's set of variations on the theme come to mind. Instead, the concentration on one era heightens the sense of repetition.

Tracklist Hide Credits

A "La Folia" Variations For Orchestra
Orchestra – Jerusalem Symphony Orchestra
17:55
Music For Woodwinds, Trombone, Piano & Bass
Ensemble [Instrumental] – Unknown ArtistSoloist, Trombone – Ray Parness
(15:20)
B1 I. Con Moto E Sempre Giusto
B2 II. Molto Moderato
B3 III. Allegro Moderato
B4 Akdamoth Le'moed (Festival Prelude)
Orchestra – Jerusalem Symphony Orchestra
9:27

Companies, etc.

  • Produced For – Music In Israel – Record No. MII-S-C5
  • Published By – Israeli Music Publications
  • Published By – Israel Music Institute
  • Manufactured By – Nimbus Records Limited

Credits

  • Composed By, Liner Notes – Noam Sheriff
  • Conductor – Gary Bertini
  • Cover – Shmuel Bak
  • Graphics – Michael Horton
  • Producer – Carla Kimhi
  • Text By [Translations] – Shabtai Petrushka*, Trude Greener

Notes

Produced as Record No. MII-S-C5 by Music In Israel, a joint recording project of the Ministry of Education/Department of Culture - Kol Israel Broadcasting Authority - The Jerusalem Music Center. Music In Israel wishes to extend special thanks to the American-Israel Cultural Foundation for its assistance.

Digitally remastered from analogue originals

Manufactured by Nimbus Records Ltd. England for Jerusalem Records, POB 16125, Jerusalem, Israel

P 1985

Barcode and Other Identifiers

  • Matrix / Runout (Side A runout - etched): ATD 860 A
  • Matrix / Runout (Side B runout - etched): ATD 860 B.
  • Rights Society: ACUM